Popular Culture Review Vol. 24, No. 1, Winter 2013 | Page 104

100 Populär Culture Review Conference, University of Wollongong. Wollongong, Australia, 2006. Print. Kitts, Thomas. “Documenting, Creating, and Interpreting Moments of Definition.” The Journal of Populär Culture 42 (2009): 715-732. Print. Knopper, Steve. Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age. New York: Free Press, 2009. Print. Kusek, David, and G. Leonhard. The Future o f Music: Manifesto for the Digital Music Revolution. Boston: Berklee Press, 2005. Laing, David. “The Three Woodstocks and the Live Music Scene.” Remembering Woodstock. Ed. Andy Bennet. Burlington: Ashgate, 2000. 1-17. Print. Leopold, Todd. “Like, Omigod!: It’s the Return of the ‘80s.” CNN.com. 21 August, 2002. Web. 5 May 2012. Mohaiemen, Naeem. “Accelerated Media & 1971.” Economic & Political Weekly 26 Jan. 2008: 36-41. Print. Ouellette, Dan, and J. Cohen. “The Concert for Bangladesh.” Billboard 29 Oct. 2005: 70. Print. Peterson, Richard. A. “The Unnatural History of Rock Festivals: An Instance of Media Facilitation.” Populär Music and Society 2 (1973): 97-123. Print. Regev, Motti. “Producing Artistic Value: The Case of Rock Music.” The Sociological Quarterly 35 (1994): 85-102. Print. Sabin, Roger. So What?: The Cultural Legacy ofPunk. Abingdon: Routledge, 1999. Print. Scheurer, Timothy. E. American Pop Music: The Age o f Rock. Madison: Populär Press, 1989. Print. Schowalter, Daniel. F. “Remembering the Dangers of Rock and Roll: Toward a Historical Narrative of the Rock Festival.” Critical Studies in Media Communication 17 (2000): 86-102. Print. Stephey, M. J. “Gen-X: The Ignored Generation.” Time.com. 16 April 2008. Web. 15 May 2012. Ullestad, Neal. “Subversive Effects of Live Aid and Sun City.” Pop Music 6 (1987): 67-76. Print.