Popular Culture Review Vol. 23, No. 2, Summer 2012 | Page 79

The Evolution of The Thing 75 suicide. In this sense, the group is certainly a courageous representative of humanity, but the cultural message is that humanity is not strong enough to overcome the crisis. The only victory can be Pyrrhic in spite of their heroism. Blair returns, reverts to alien form, but is unable to prevent the explosion that destroys the complex. At the end, only two crew members remain, MacReady and Childs, who wandered off into the storm, thinking he saw Blair, and therefore, may be contaminated. The whole complex is burning away, and it is clear neither can survive. The film ends ambiguously, posing two possibilities: MacReady will use the flame thrower to kill Childs to make sure; a rescue crew will discover the corpses and relive the nightmare this crew has just experienced if Childs is infected, possibly releasing the Thing on the world population. Clearly, this film takes a bleaker view of human prospects than either of its predecessors. It is uncompromising in its statement that humanity is not capable of defeating an implacable enemy, such as the negative impact of the economy or the implacability of Islam. In fact, an alternative ending had been filmed in which a rescue helicopter finds McRready and Childs, but it was never shown to audiences. For many years, a prequel to the 1982 film of The Thing has been in the works. In the years leading to this project, the United States once again suffered a huge crisis, the near Depre ssion of 2008, brought on by the bursting of the housing bubble. This time, the outgoing President George W. Bush cooperated with the incoming Obama administration to take active measures to prevent a full scale Depression. Although a full blown Great Depression was averted, once again huge numbers of Americans as well as the rest of the world, lost homes and jobs because of the crisis. New President Obama tried to launch an activist approach imitating FDR, but the negative fallout from the crisis hindered initiatives such as health care reform and other progressive measures. The Republican opposition coalesced into an obstructionist body leaving America in a state of paralysis and promoting a crisis of confidence in government as a solution to its citizens’ problems. Riding above these overwhelming crises, Obama inherited the continuing War on Terror. Foreshadowed in some ways in 1979 through the Iran Hostage crisis, the attacks on the World Trade Center in 2001, had provoked the Bush administration to lash back against the Taliban and A1 Quaeda, the heirs of the Ayatollah Khomeini now in the person of Osama Bin Laden. This grinding conflict had sapped the money and energy of Americans for longer than any foreign war. Also, the enemy became a faceless, insidious entity which followed no rules of combat and had no regard for human life. In this environment of negativity, the 1982 film gained even more popularity as a cultural symbol. The prequel to The Thing, 2011, (Matthijs van Heijningen Jr.) takes us back to the original encounter of the Norwegians with the alien as outlined in the 1982 movie which would be just a few weeks previous to the action of the Carpenter film. At the beginning of the film, Dr. Sander Halvorson (Ulrich