Popular Culture Review Vol. 23, No. 1, Winter 2012 | Page 27

Childhood Rejects 23 the balcony and then, t-t-then, I made a noise like this: huahua-hua-huaaaaaa-and then I dumped over the side, all over the people in the audience. And then, this was horrible, all the people started getting sick and throwing up all over each other. I never felt so bad in my entire life. Later, when Andy tries to crack the code that will open the door to the treasure chamber by playing the correct sequence of notes on the piano, she at first hits a wrong one, and Mikey reassures her, saying, “It’s OK. You’re a Goonie, and Goonies always make mistakes.” The message appeals to the audience as well: kids do not have to be perfect in order to be accepted and liked; they just have to be good enough. Further, each of these flawed youths play an important role and contribute to the final outcome. They support one another, and even adopt into their pack the grotesque-looking, rejected but very loving member of the Fratellis— Sloth—whose family is even more dysfunctional than any of their own. Sloth helps them, giving them greater strength, and he and Chunk become like brothers. “Sloth love Chunk,” he says. This ffiends-as-family phenomenon makes the ensemble entertainment of Goonies attractive and relatable. However, there is more is at play in Goonies besides friendship. The situation the Goonies face resembles that of children in a changing family situation who feel powerless but hope for happiness, not unlike many Gen Xers. In a crucial scene in the film, the Goonies think they have found t