Popular Culture Review Vol. 22, No. 2, Summer 2011 | Page 54

50 Popular Culture Review entertain, focused as he is on corporeal reality. Izzi instead represents what the film depicts as the right view of life and death: these two experiences of human life exist in harmony with one another, free from the dictates and tenets even of organized religion, most heavily Christianity and its teachings in the context of the film. Izzi sees instead a continuing movement of life and death, a cycle in which all things are essentially one. By the film’s climax, as Izzi and Tommy face death, her words, “Together we will live forever” come to their fullest meaning. Where Queen Isabella once used similar words to describe a reintroduction of Eden and immortal human life and Tommy fought against mortality, Tommy and Izzi collapse into two (as opposed to all their iterations in the film), then finally into one. They will, no matter what awaits them after death, whether they will be reborn and know each other again or not, share the same essential foundation of being, of life and death. Izzi, then, both in her bodily form and later in tree form, seeks to lead Tommy to this knowledge, to marry his thought and belief. She encourages him, at several points in the film, to “Finish it.” While this most obviously refers to her book, which she deliberately leaves unfinished for him, the words possess larger ramifications. Tommy’s answer is always a variation of “I don’t know how it ends” to which Izzi replies with a variation of “You do. You will.” She allows him time—in this case hundreds of years—to come to the fullness of knowledge, to come to a place where he can let go of his control, of his need to reason and think the world the way he best sees fit. Lillian (Ellen Burstyn), the head of Tommy’s research unit and a friend to Izzi, says at her funeral that “She saw her fear, her hope, and her death as essential parts of life.” This is what Izzi encourages with her admonitions that Tommy finish the book. All the disparate pieces haunting Tommy—the loss of Izzi, the fact that the tree is dying, his obsession with reaching Xibalba in the mistaken belief that this will provide physical immortality—must find at-one-ment. Tommy, late in the film and alone with the tree and manifestations of Izzi, finally breaks down, crying “Please! Please! I’m afraid.” It is only at this point in the narrative that Tommy can begin to write the final chapter of the book, his story and perhaps humanity’s. He flashes back through his memories of life long ago with Izzi and finally smiles, understanding, “I’m going to die!” He now rewrites his story, going back to a day early in the film where Izzi tries to get him to enjoy the first snowfall. At that early stage, he declines, focused as he is on curing her cancer. As the story now rewrites itself, Tommy decides instead to be with Izzi, to live, for however long that option is available. It is only in the story, in Izzi’s story, that one last vestige of wishful thinking takes place. Tomas finally reaches the Tree of Life and drinks its sap. His wounds are instantly healed and, with a combination of greed and wonder, he gulps greedily from it, tearing into it to get at more sap. Instead of gaining eternal life, plants and flowers erupt from his body, obliterating him. Tomas is now the way Izzi spoke of First Father: a part of every living thing. From this point, the film moves to Tommy and the tree/Izzi reaching Xibalba and being obliterated. Of Xibalba, Michel Graulich