Popular Culture Review Vol. 21, No. 2, Summer 2010 | Page 27

Mary Russell’s Bleak House 23 documented Victorian preoccupation. It is no accident that the culprit is foreign in Bleak House. The French maid Hortense is described almost as a mouthfrothing animal. Bucket is presented as “a professional but working-class Englishman assisted by his trustworthy English wife . . . the image of middleclass respectability who captures the foreign force that doesn’t know its place . .. ” (Thomas 144). What’s surprising is that Regiment seems to agree with Bleak House on the point of foreign influence. After first suspecting Marie (tellingly, another fiery-tempered French maid) of the crimes of theft and murder, Russell and Holmes discover Claude is behind everything. Marie’s Frenchness presumes her guilt and serves the plot as a red herring; however, to then turn to another foreign man as the culprit hardly draws a fresh perspective. The continental influence can still be viewed, as in Bleak House, as a non-British, non-middle-class ethic; in other words, the other is represented from a Victorian framework in both novels as toxic and ruthless. Despite this prejudicial similarity, Regiment battles Victorian ideals in a few other ways. King’s background as a theological scholar predisposes her to treat religion in a serious manner. Spirituality stands unvanquished at Regimenf s end because Russell comes to understand the good works of the church and the faith of its leader and fold. As evidence of this faith, we are given a strange event in the text: a miracle. Russell sees that Childe is badly beaten and bruised, and when she returns with help, she has been completely healed. When Russell questions her about the healing in the book’s postscript, Childe asserts again that it was real and that “God can touch us” (335). This occurrence is certainly an unusual happening for a work of detective fiction, and the affirmation of the literally transformative powers of faith is telling. Instead of showing us charlatans who use the Bible to prop up their own agendas as Bleak House does in Mr. Chadband and Mrs. Pardiggle, Regiment gives us miracles for the faithful. While the commentary on religion and spirituality could not be more blatant in the two books (nor more opposed to one another