Popular Culture Review Vol. 20, No. 2, Summer 2009 | Page 57

Werewolves, Vampires, and Fae 53 who are fully human. Since coyotes and wolves can interbreed, offspring produced from this union could be werewolves, walkers, or human. When Mercy was a young 16-year-old, she loved Samuel and wanted to run away with him. However, when she learned that his interest was solely biological—he only wanted a mate that could produce children—Mercy turned away from Samuel. Mercy’s yearning for ideal love permeates Moon Called, despite knowing that Samuel’s human side does not love her. In fact, Samuel’s desire for Mercy is expressed in wolf terms when he tells her, “I’m as unsettled as a new pup—you eat my control.” In Briggs’s second novel, Blood Bound, the horror of evil is firmly connected to the badly misbehaving vampires. Early on, Mercy clearly sets herself apart from the evil forces with which she is surrounded: “I don’t do magic. I don’t need a coyote skin to change shape, and I’m not evil” (BB 3). Mercy has also had “ample proof of God, so I accepted that His opponent exists, too” (BB 53). Again, she reiterates that werewolves are not evil—although certainly she admits that they are not exactly peaceful and law-abiding. But identifying werewolves with evil is too great a threat for a coyote changeling who was raised by werewolves. Vampires, on the other hand, are evil. Mercy reminds herself on several occasions to “never trust a vampire” (BB 198). To convince herself that vampire friend Stefan is safe and presumably not evil, Mercy makes frequent references to his “being more than a vampire” (BB 4). In fact, Stefan does not extort protection money from Mercy as vampires do of most other businesses—he agrees to have Mercy fix his old VW wagon as payment for ensuring her security. To reinforce the idea that the world is full of evil, Mercy acknowledges that English is an imprecise language for capturing the full range of creatures and spirits that serve evil. Mercy’s sense of horror—and e vil—is heightened in Blood Bound when she accompanies Stefan, in her coyote form, to track down Cory Littleton, the newly created, wayward vampire. A special case of evil, Littleton strains the pragmatic ethics of the tri-city vampire world since he was created by a demonloving vampire who went astray. The sheer terror evoked from the scenes of the vampire feeding on his victims upstages the classic lore of vampire evil. This evil vampire Littleton tells Stefan, “Blood is not really filling without death . . . You are old enough to remember the Before Times . . . when vampires ate who they chose and reveled in the last throes of our prey. When we fed truly” (BB 16). Even more frightening, Mercy and Stefan leam that Littleton has invited into his being a demon and/or a sorcerer able to exercise strict control over the vampire’s evil. Terror and evil continue in the hotel where Littleton holds Stefan and Mercy hostage to his killing of an innocent woman. Littleton takes a long time to feed on his victim, enjoying her hoarse mewling and screams of agony and terror. Outraged at his act, Mercy recounts that Littleton played with his victim, surmising that knowing whom Littleton had already killed at the hotel