Popular Culture Review Vol. 20, No. 1, Winter 2009 | Page 47

Buff Brides: Disciplining the Female Body 43 course; there seem to be no real consequences should they not follow their training regime, because they’ll get their dream wedding anyway. When considered in the context of women’s health, certainly an important concern for all women and for feminists, the program’s emphasis on the cosmetic trivializes the seriousness of this issue. This program excludes any medical expertise regarding (1) what is medically considered overweight and (2) the actual consequences of being overweight (blood pressure and other health risks) aside from noting that certain body fat percentages are “unhealthy.” Instead, the sole reason for these women to incorporate exercise and healthy eating into their hectic lifestyles is to create the spectacle of the perfect bride. At the same time, one can consider this program as in a sense incorporating feminist ideals by way of including mention of these women’s occupations— some are executives and managers—and the portrayal of these women being able to manage several roles at once. However, it gives no indication of these women’s other achievements, such as education, which would take only a few seconds to mention. In addition to gendered differentiation regarding bodily appearance, Buff Brides includes aspects of gender inequality regarding the concept of “work.” The amount of unpaid labor and time devoted to the “chore” of wedding planning, which results in only a temporary escape from their habitus of work and home (Herr), reaffirms that, in the end, women’s lives are defined as not a man’s. “Women, like everyday life, have often been defined as negation. Their realm has not been that of war, art, philosophy, scientific endeavor, high office,” noted Felski (80). Buff Brides further endorses femininity through the importance it places on the task of wedding planning and fulfilling the role of bride. As a mode of discipline, Buff Brides combines with other bridal media to instruct female viewers on how to discipline the female body in order to fit a gendered garment, a symbolic “Iron Maiden” that forwards hegemonic femininity in the guise of wedding bliss. University of Nevada, Las Vegas Erika Engstrom Notes 1 Urban Dictionary (http://www.urbandictionary.com) serves in a similar capacity as Wikipedia, in that it provides an online, every-changing source for slang terms. 2 For this analysis, 1 recorded at random, during early 2007, five one-hour episodes featuring the stories of 10 brides. As of mid-2008, episodes rerun once every several weeks, with the series taking months to recycle. Thus, this sample is one of convenience. Episode titles, airdates, and copyright dates are as follows: “Margaret and Tiffany,” Feb. 14, 2007 (copyright 2003); “Colleen and Nadege,” Feb. 21, 2007 (copyright 2003); “Linxiu and Melanie,” March 2, 2007 (copyright 2003); “Jessica and Madhu,” March 21, 2007 (copyright 2003); “Greta and Justine,” March 21, 2007 (copyright 2004). 3 Recall the scene from Gone with the Wind in which Mammy chastises Scarlett for planning to eat at the Wilkes’s barbeque picnic.