Twenty Years of Popular Culture Review
Philip Glass’s M o n ste rs
o f G ra c e
Interrogating the Representation of African
American Female Identity in the Films W a itin g to
and S e t It O f f
Jacques Tourneur’s World War II Films: From
Unity to Chaos
Positionality, Film, and Asian American Literature
What Disney Teaches Our Children About
Leadership
High and Low in the Himalayas: Jon Krakauer’s
Wheeler Winston
Dixon
Tina M. Harris
E x h a le
Gwenda Young
Qun Wang
Becky L. Smith
John Trombold
In to Thin A ir
Archetypal Metaphor and T he S h a d o w Radio Show
Bhakti as a Popular Religious and Cultural
Movement in India
“Reading with One Hand” Nicholson Baker’s Vox
and T he F e rm a ta and the Play of Sexual
Imagination
American Popular Culture and the Politics of Race
in Dr. Seuss’s T h e S n e e tc h e s
Tom T. Hall and Critical Junctions in Country
Music
Volume 11, Number 1 ♦ February 2000
John O’Shea and the Tradition of New Zealand
Cinema
Orientation via Orientalism: Chinatown in Detective
Narratives
Transsexing Technological Man: (Re)Writing the
Comic Book Male/Scientist in S w a m p T h in g
Chyna, Team Corporate, and the New World Order:
The Politics of White Hypermasculinity and AntiCorporatism in Professional Wrestling
Forgive Us Our Sins: The Autobiography of
Expiation
A Countercultural Gatsby: Hunter S. Thompson’s
F e a r a n d L o a th in g in L a s V egas, the Death of the
American Dream and the Rise of Las Vegas, USA
The Sound of “Synthetic Fury”: Dance Music,
Machines and Masculinity
Liminality in Women’s “History-Mystery”: The
Case of Anne Perty
Ronald R. Roach
Satish Sharma
William Petty
Earnest N. Bracey
Bill Thompson
Wheeler Winston
Dixon
Karen Lynch
Jack Bushnell
Lawrence Saez
Dennis Russell
Robert C. Sickels
Nicola Dibben
Jennifer S. Tuttle
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