Twenty Years of Popular Culture Review
The Infiltration of a Motorcycle Gang and the
Codification of Its Social Norms
Leopards in the Temple: Dissent, Diversity, and the
Fictions of Domination
The Guitar as a Social Icon: From Andalusia to
Maryland
Ultraviolet Metaphors for (Un)Popular Culture: A
Defense of Bret Easton Ellis
Hazel Scott and Lena Home: African-American
Divas, Feminists, and Political Activists
Fashioning an Identity: Battles Over the Zoot
Annotating Calvin and Hobbes
Gender Approaches to Directing the Horror Film:
Women Filmmakers/Gothic Mechanisms
Ken Follett and the Architecture of the Novel
The Popularity of Poetry in America
Volume 7, Number 2 * August 1996
AIDS and its Metaphors: Susan Sontag and Gay
Rage
The Play’s the Thing - Early Modem Playscripts as
Sources for English Social/Cultural History
Wile E. Coyote, Ross Perot, and the Myth of
Western Individualism
Corseting the Body: A Foucaultian Analysis of
Victorian and Contemporary Fashions in Bodies and
Clothes
Our Uncle Who Art Called Sam Hollow Be Thy
Name
Creating Heroes - Lessons from the Civil War
Autobiographical Currency: John Lydon’s Rotten
No Irish, No Blacks, No D o r s
Japanese Politicians “Attitudinal Prism”: Racial
Superiority Complex Toward Asia
A Pie in the Face: The Three Stooges’ AntiAristocracy Theme in Depression Era American
Film
The Individual vs. The Cult Leader: Mao II
Volume 8, Number 1 * February 1997
Moving the Center: The Domain of the Visual in
Feminist, Third World and Cybernetic Moving
Image Studies
Timothy Bakken
Steven Carter
Daniel F. Ferreras
Larry Juchartz and
Erica Hunter
Charlene B. Regester
Carolyn Osborne
Armand E. Singer
Wheeler Winston
Dixon
Carlos Ramet
John Spaulding
Carl Rollyson
James H. Forse
Michael S. Green
Natalie McKnight
Mel Seesholtz
Jeffrey W. Riemer
William Petty
Mayumi Itoh
Don B. Morlan
Thomas M. Kitts
Wheeler Winston
Dixon
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