Popular Culture Review Vol. 2, No. 2, July 1991 | Page 27

The Canon and the Comics 19 New Mexico A&Ms of this world.) But you miss a good deal of the nuance and subtlety of the strip if you do not have a broad knowledge of the sacred canon. My second example is from a newer strip, "Fast Track". In this strip one of the major characters is a hard-bopping feminist with the delightful name Wendy Rommel. (Her name itself carries a certain amount of intellectual baggage.) She is married to a genial slob named Art Welding and she is pregnant. They are discussing what to name the child. She has several suggestions, Gloria Steinem Welding, Betty Freidan Welding, and so forth. He raises the question of what to call the child-to-be if he is a boy. She rises to the occasion with two inspired choices-George Sand Welding or George Elliot Welding. That, I submit, is a marvelous feminist joke. But I must also note that when I read it I had a vision of Duke, Brown, and Stanford graduates looking up at their well-educated spouses and asking what in the world the punchline meant. For their sakes I hope their spouses attended a backwater college like New Mexico A&M. For a third example I refer to yet another new strip, "Funky Winkerbean." This strip, set in a modern American high school, their mascot, the Scapegoat (once again a broad smattering of biblical knowledge makes a good joke better), has an interesting cast of characters. One of the principal figures, the Band Director, is constantly involved in fund-raising activities on behalf of his band. His chosen vehicle is, of course, the Band Boosters' Club. They apparently have a sizable bank balance, and the computer, which handles their investments and has a mind and voice of its own, has michandled the funds. It has placed all of the Boosters' funds in the Silas Marner S & L. As an aside, I might add that the Band Director, furious at the computer for losing all the money, asks it why it didn't invest in something safe like U.S. Treasury securities. The computer, in its defense, asks the director if the money should have gone into a fund whose owner is three trillion dollars in debt. As in the earlier case of "Fast Track", here again is a very topical joke with a clear antecedent in English literature. Again I hope that those academicians and their followers who find Western Civ. repugnant didn’t miss the joke, but in my limited experience with those of their ilk, I have not noticed a well-developed sense of humor welling out of them. That snide comment aside, I do think we will be cheating their