Popular Culture Review Vol. 17, No. 2, Summer 2006 | Page 121

The Tennessee Williams Encyclopedia Edited by Philip C. Kolin Greenwood Press, 2004 In The Tennessee Williams Encyclopedia Philip C. Kolin, editor of the volume and Popular Culture Review contributor, has created a work that is not only of great scholarly value to the Williams researcher, but also of interest to anyone, either professional or lay, seeking infonnation about Williams, his influences and counterinfluences, and his milieu. While the volume does not lay claim to being comprehensive— Williams’ contributions and influence are far too vast for that—it provides 150 detailed entries "essential to understanding Williams’ life and work.” The Encyclopedia is designed "to help readers understand the context and performance of a Williams work and the contours of his life into which it fits” through "four types of entries: on individuals, on places, on works, and on concepts.” For example, Annette J. Saddick’s entry on Yukio Mishima and his complex relationship to Williams explains how the two influenced each other both artistically and personally until Mishima’s suicide. In the Truman Capote entry, Susan Swortwout describes a relationship gone wrong as the two move from hijinks to jealousy and litigation. In the entry on St. Louis, Allean Hale provides the rather surprising information that this "Southern” author placed more than thirty of his works in that city, perhaps not too surprising when one realizes that he spent more time in that city than anywhere else. Naturally, the works themselves make up the largest category of entries, "including all the genres in which Williams wrote—plays, full-length and one-acts, stories, poems, essays, memoirs, journals, even paintings.” Finally, the conceptual entries weave the strands of information together to provide a comprehensive overview of Williams’ work.