Popular Culture Review Vol. 16, No. 2, Summer 2005 | Page 83

Calamity Jane 79 Notes * Stuart Samuels, “The A ge o f Conspiracy and Conformity: Invasion o f the Body Snatchers,” in American History/American Film: Interpreting the Hollywood Image by Stuart Samuels (Frederick Ungar Publishing Co., Inc. 1979). ^ See, for example, Stella Dallas (1937, dir. King Vidor, starring Barbara Stanwyck) and The Devil is a Woman, (1935, dir. Josef von Sternberg, starring Marlene Dietrich). ^ For a discussion o f the use o f women as icons in films, see Claire Johnston, “Women’s Cinema as Counter-Cinema,” in Taking up the Struggle (New York: N ew York University Press, 1999), pp. 3 1 ^ 0 . ^ The details o f Maratha Canary’s life remain obscure, despite the meticulous efforts o f several biographers to sort them out. See Duncan Aikman, Calamity Jane and the Lady Wildcats (University o f Nebraska Press, 1927, 1954), D. Faber, Calamity J [