Popular Culture Review Vol. 15, No. 2 | Page 45

Bravo’s G ay W eddings 41 mention in the first episode that same-sex marriages are not legally recognized, there is no mention about religious sanctioning of gay and lesbian weddings. In the four total hours of programming, several prominent themes within each couple’s story are evident: the importance of family participation and recognition; equity in wedding planning; honest expression of worry and concern; and the importance of social recognition given to “being married.” These themes reflect the challenges faced by same-sex couples as they overcome hegemonic ideals about who can marry and who cannot, even as they endorse the very ideals heterosexual marriage embodies: monogamous commitment based on love. The theme given the most time and attention in these episodes was the importance of family participation and recognition. Though surrounded by supportive and close friends, each couple expressed how significant it was for their families to be involved in some way with the wedding, which reflects Lewin’s (1998) conclusions. The angst and concern over whether family members would attend or even accept their sexual orientation and decision to publicly commit to their partner was especially evident for two of the gay men, Scott and Dan. While Scott worried that his parents would not accept him or his relationship with his partner (they did), Dan constantly sought recognition from his mother and sister and desperately wanted them to attend his wedding (they didn’t). Unlike the traditional gender roles that mark heterosexual weddings, the way in which these same-sex couples approached the planning of their weddings illustrated an equal division of labor. While planning and decision making often fall on the bride-to-be in the typical heterosexual wedding, the couples in Gay Weddings made decisions about the most detailed elements of their ceremonies as a team, such as visiting sites, choosing clothing, deciding on flower arrangements, and assembling party favors. These depictions reflect the egalitarian nature of same-sex couples, as compared to heterosexual couples, in which the woman most often does the work in planning what is supposedly “her day” (Geller, 2001; Lowery & Otnes, 1994; Currie, 1993). Indeed, the two male couples were intricately involved in all aspects of planning their weddings, with Dan and Gregg assembling party favors, and Scott and Harley choosing flower arrangements. The honesty of the couples as they talked about the problems they experienced marked all four episodes as well. All admitted to being stressed and worried about their weddings, having second thoughts and misgivings, and being nervous on the wedding day itself. Of the four, Sonja and Lupe experienced overt discrimination, adding to their wedding planning woes. In this regard. Gay Weddings offers viewers a realistic portrayal of the unique challenges faced by same-sex couples, and the prejudice they may face in a society that still considers such relationships as illegitimate and, indeed, wrong.