Popular Culture Review Vol. 15, No. 1 | Page 13

Still Dreaming of Africa 9 bitchy, stranded (an Indian prince-playboy failed to show in Kenya) New York showgirl who will bag her man at all costs. (At the same time in real life, Ava Gardner was beating a tattoo on Frank Sinatra who would fly to Kenya to see Ava while on location for the film and was known around the set as Mrs. Ava Gardner.) With an authentic African setting, the film featured a run-in with a rhino and a close encounter with a deadly gorilla as well as an escape from a “native” uprising. The Snows o f Kilimanjaro (1952), based upon several Hemingway stories, features Gregory Peck as a wounded, soul-searching novelist and adventurer deep in the African bush who stares at vultures and looks back at his life and many loves while being attended by Susan Hayward. Here we have a true Hollywood portable Hemingway, which includes the Spanish Civil War (memorable moment from that war: Ava Gardner dying, while Harry [Gregory Peck] bellows repeatedly, “Stretcher bearer! Stretcher bearer!”), safaris, and the boy getting his first rifle and becoming a man. Something o f Value (1957), directed by Richard Brooks and starring Rock Hudson, Sydney Poitier, and Dana Wynter, is based on Robert C. Ruark’s best selling novel about the Mau-Mau rebellion in Kenya as seen from the perspective of a white settler and a “good” African who gets involved with the Mau-Mau. A “buddy” film that unconvincingly attempts to see both sides in the case of the ritual murders of the 1950s, it does depart somewhat from the sweeping beauty of Africa mode which would be in keeping with Ruark’s penchant for a blood-and-guts view of Africa. Born Free (1965), based upon the book by Joy Adamson, tells the story of a Kenyan game warden and his wife who raise three lion cubs, one of which, Elsa, presents them with a family. Irresis tible scenery and animal shots, as well as the title song, save this African weepie. In 1987’s White Mischief directed by Michael R