Popular Culture Review Vol. 14, No. 2, Summer 2003 | Page 107

T h e L ittle D r u m m e r G ir l 103 film’s conclusion there is an element of justifiable retribution. Hill’s film and Mandel’s screenplay rob le Carre’s novel of its Palestinian message, although there is still enough to upset some defenders of Israel who almost seem to equate any critique of that nation with anti-semitism.19 Certainly no similar litmus test is provided for criticism of other nations, but the fate of Israel must be viewed through the prism of the Holocaust. Thus, le Carre’s point is not that the nation of Israel has no right to exist, but that there is more to the Palestin ian position than simply terrorism and suicide bombers. His endeavors to find a broader audience for this idea were certainly negated by the cinematic treatment of The Little Drummer Girl. In light of the attacks by A1 Qaeda on the United States and the escalating violence in the Middle East between Israelis and Palestinians, it is becoming more difficult to move beyond stereotypes and examine root causes, despite the outpour ing of recent scholarship on the Middle East. The popular press tends to sensation alize rather than seek complex deeper understanding. For example, in a piece for The New York Times Magazine, Elizabeth Rubin profiles the Hamas terrorist Qeis Adwan, who was killed by the Israeli army. In explaining how an intelligent and charismatic young student became an advocate of terrorism, Rubin emphasizes the crude propaganda employed by organizations such as Hamas at An Najah Uni versity in Nablus. However, less attention is given to the deplorable employment, housing, and health care of the Palestinian people, along with the daily humiliation of check points maintained by the Israeli army.20 Many Americans are reluctant to discuss the factors and conditions which produce terrorism. It is as if to engage in a discourse on this topic is in some way a condoning of terrorism. But one can still speak out against violence, while seeking to understand its origins. It is this search for the roots of terrorism to which le Carre drew our attention in The Little Drummer Girl. And in the aftermath of September 11, he has reminded us that these root causes must still be addressed in order to ensure long-term security. Thus, in his November 2001 piece for The Nation, le Carre concluded that the real test for the United States and the West will come after A1 Qaeda is defeated. Le Carre writes, Cautiously, between the lines, we are being invited to believe that the conscience of the West has been reawakened to the dilemma of the poor and homeless of the earth. And possibly, out of fear, necessity and rheto ric, a new sort of political morality has indeed been bom. But when the shooting dies and a seeming peace is achieved, will the United States and its allies stay at their posts or, as happened at the end of the Cold War, hang up their boots and go home to their own backyards? Even, if those backyards will never again be the safe haven they once were.21