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Dorothy Dandridge’s Photograph 37 ‘‘Some people kill themselves with drink, others with overdoses, some with a gun, a few hurl themselves in front of trains or autos. 1 hurled myself in front of another white man” (184). As a spectator, perhaps 1 have developed in the words of bell hooks an “oppositional gaze;” perhaps my transgression of the sexual and racial construction of Dandridge allows me to see Dandridge as the real African American star that she was, struggling to overcome the confines of the dominant hegemony of Hollywood. My knowledge of Dorothy Dandridge, merely reading texts about her life and those of friends and critics was, I now know, severely limited. Now, reading this photograph, my understanding of her exploitation by others and by self has been greatly enhanced. The photo is about her death. University of North Carolina at Chapel Hill Charlene Regester Works Cited “A Fracture Fatal to Miss Dandridge,” New York Times, 11 September 1965, 27. Barthes, Roland. Image-Music-Text. New York: Hill and Wang, 1977. Benzel, Kathryn, “The Body as Art: Still Photographs o f Marilyn Monroe,” Journal of Popular Culture 25.2 (Fall 1991): 1-29. Benjamin, Walter. One-Way Street and Other Writings (London: NLB 1979). Dandridge, Dorothy and Earl Conrad. Everything and Nothing: The Dorothy Dandridge Tragedy. New York: Abelard-Schuman, 1970. Death Certificate-Dorothy Dandridge. State o f California: Department o f Health Services. Dyer, Richard. Heavenly Bodies: Film Stars and Society. New York: St. Martin’s Press, 1986. Fanon, Frantz. Black Skin. White Masks. (London: Pluto Press, 1986 [1952]). “Forty-Four Word Handwritten Will o f Miss Dandridge Filed,” York Times, 12 October 1965,58. hooks, bell. “The Oppositional Gaze: Black Female Spectators,” in Black American Cinema ed. by Manthia Diawara. New York: Routledge, 1993. “Island in the Sun,” Ebony 12.9 (July 1957): 32. Mavor, Carol. Pleasures Taken. Durham: Duke UP, 1995. Metz, Christian. “Photography and Fetish,” OctoberJ>A (Fall 1985): 81-90. Minh-Ha, Trinh. When the Moon Waxes Red: Representation, Gender and Cultural Politics. New York: Routledge, 1991. Mulvey, Laura. “Visual Pleasure and Narrative Cinema,” Screen_\6.1> (Autumn 1975): 618. Petro, Patrice, ed. Fugitive Images: From Photography to Video. Bloomington: Indiana UP, 1995. Regester, Charlene. “The Reel and Real Dorothy Dandridge: Hollywood’s Construction o f an African American Femme Fatale,” 1997 forthcoming essay. Robinson, Louie. ‘"Dorothy Dandridge Hollywood’s Tragic Engima,” Ebony 21.5 (March 1966): 70-82.