Playboy Magazine South Africa November 2013 November 2013 | Page 82

FEATURE IT'S MACHO TIME the mechanics of a George Foreman uppercut or a Twyla Tharp arabesque, a listener walks away from the conversation illuminated. Which is why I pay special attention when Atlas uses the terms “genius” and “pioneer” to describe Héctor Camacho’s boxing prowess. First there was Macho’s ungodly ring speed and quickness, he says. “A guy with pure speed can intimidate. You’re afraid of pure speed. Afraid of the timing. Afraid to do things you normally would do. Camacho’s mobility, his confidence and obviously his technique – he could put punches together – were there. But it was all predicated on his great speed. “Also, he had a great chin. He was on the floor, what, three times in 88 fights? And never knocked out. He never gets credit for his chin.” Now Atlas is into the subject, a physicist lost in a reverie of string theory. That speed, he says, that chin – combine them with Macho’s “signature move, his trip-hammer jab.” Quick as a mongoose Atlas leaps from the kitchen chair and throws one. His knuckles brush my right cheekbone. Most fighters, he says, “have the jab where they turn it over, the fist rotates counterclockwise. That’s the conventional, traditional way. But if you look at Camacho, he would just drop the jab like this.” Aims another at my face, this time no rotational torque. Downbeat of an ax. “It got there maybe a millisecond quicker. Whatever tenth of a second he bought by doing that allowed him to discombobulate the guy, to throw the guy’s rhythm off. It was his own little mark of what separated him, his own little genius. I don’t use that word lightly.” This “first Camacho,” Atlas says, “fought on his terms.” Rose to the top on “aggressiveness. He always thought he was the boss.” Then came Rosario. Atlas gives a sad shake of his head. “He gets caught with that left hook and he gets hurt good. He moves and he grabs, and the new Camacho showed up. We didn’t know that at the time. But he never fought with that confidence anymore, with that bravado. He still had the speed, but he didn’t have that aggressive mind-set. He didn’t have that confidence. His world was thrown off its axis.” Macho stepped into the ring 59 more times after the Rosario bout. Fought into his late 40s, taking another legitimate title as his physique inevitably grew thick. No one ever knocked him out – an accomplishment about which he often boasted. Yet he was never the same. “Still talented,” says Atlas. “But for the rest of that time he was just gonna survive.” A long night. Time to go. “I liked Macho,” Atlas says. “There was a sensitivity to him. No maliciousness, no mean-spiritedness. He was a knucklehead. But considering everything, I think he wasn’t a bad kid inside. Maybe a kid that was hiding things, insecurities that maybe he was never able to deal with. So the way he dealt with them was to talk and to be real fast with his hands and to be a champion. But that Then there was the cocaine. Shelly didn’t like it and didn’t like Macho doing it. But she couldn’t help herself. By then she was hooked. On his beautiful body. On his blithe persona. On his generous spirit. didn’t mean those doubts were taken away. Doesn’t mean that the money and the Corvettes and the machismo and the skirts that he wore and his outrageous behavior took away those inadequacies.” This last hangs in the air as I rise from the kitchen table. Atlas stands too, hesitates, motions – wait. Walks to his living room, returns with a scrapbook. “Wasn’t sure to mention this.” Flips to a page, a yellowed newspaper clipping. The sportswriter Dick Young’s column in the New York Post. Small item reporting that the 30-yearold trainer Teddy Atlas and the lightweight boxing champion of the world Héctor Camacho threw down in Gleason’s Gym. A week before the Rosario fight. “He got the gist of it right,” Atlas says. “Not all the particulars.” Tells the story. Training one of his fighters, paid for the ring time. Macho and his entourage roll into the gym. Macho wants the ring. Gets in, won’t leave. Atlas politely asks him to get out. Macho: “It’s Macho time!” Atlas, not so politely now, tells him to go fuck himself. And then they went at it. Bare knuckles. “He’s flicking that jab. Landing a few. Not hurting me. But I know I can’t let this go on too long. I got maybe 20 pounds on him. I lunge for him, try to get him in a headlock. But he’s so lathered up in baby oil he slips out of my hold. Now he’s doin’ all that Macho shit. Taunting, jabbing, dancing. I think he drew a little blood over my eye. I fake a jab and lunge again. This time I get him by the hair with both hands. Pull him into my body. “I got him in a headlock. I hit him two solid uppercuts, lefts, then two more, still holdin’ on to his hair with my right hand. I bring my knee up and drive it into his gut. Do it again. I heard later that some of his posse tried to get in the ring, break it up. My guys kept ’em out. I knee him ag ?????B???v?????r?^( ?2&?VVF??r???f?v?FW'2&R?V???r?( ?'&V???2&??'&V???0?f6R?( ??R6?2?&V???r???Rv??7W"????6?V"?( ?????V??Vv??( ???WB???v??F?Rv???P?'V?6??b( ?V?6????WB?bF?Rw????RW76?W2??( ?F?R?W?BF??R6??w2WBv?V6??( ?2????R???VfW2??2V?F?W&vR?WG6?FR?v?2WF??R?? ????$???4?????g&??B?bWfW'?&?G??6?2?Rv?G2F????v??P???R????WB??VB?6?WfW'???R6??V"??@??RF?W2?( ?vR&RBF?Rg&??BF??"??r?FVFG?F?0?6VV??r?R?fb?( ?FV????Rv?B?( ??R6?2?( ?:?7F? ?6?6??v27F?B?WwW??( ???F?>( ?2v?&?Gf?WrF?N( ?2F?R??v?W7@?6????V?B??V?FW'7F?Bv???R?Bf?"F?P?gV?W&??D?R??dU5D?tD? ???B???rv???Wr??&?6?G??wW?F????2?P?&V6?v?W2?:?7F?"6?6??*?"( ??R?6??( ?0?6???( ??R6?2??( ?V??( ?( ??W"fF?W"7F??R??V&62v?V??Rv2???B?( ??&WVBF?R7F?'???B 8?vV????:??W????6P?6???76???W"?b&??;6??'&V?2??F?6?w&????( ??R?V"&?WB????2?Vv?&?&?V?2??F?P?7FFW2?( ??R6?2?( ?'WB?Rv2?WfW"??G&?V&?R???VW'F?&?6??( ????:??W??#"?V'2??F?R??"?f?&?W"VW'F??&?6?7FFR??6V????&6?F?72???FV??vV?6R???V"v?F?7V6???W&F???2?v??B???????r??????'Vfb6?Rf?"CRFW7?FR6?????G2&?W@?( ?F?R&VW"&V???( ??w&?v??r?( ?7'V?6??rF?v?cp?fV?VR?V??2??25Ub?fW"??g&??B?bF?R& ?v?W&R?6??v2G&???rF?B??v?B??( ?R6?R?WB?v?VBF???2g&?V?N( ?26"?fW ?F?W&R?( ????G2?( ?vRF?????B?V?VB&?v?BgFW ??Rv?B???( ??6??v2f??W2??F?R?6??B???R???R?&F6????F?V6???rf?&RF?v?Bv0??VgB?bF?R6?F?R?7v??VB???&V?:???&???F?R7??6????wVvRF?6??rv?F??F?R7F'2?V&VB&VwV?&???F?RV??f?6????V?FW'F???V?B&?w&?V?v?&F???f?6?( ?F?P?66???BF?R6?????( ???F???6??W?bD???BV?FW'F???V?BF???v?B?7F'&VB??&V?G??FF??r6??rF?F?VB??b6?W'6R?W2?6??F??R???6VBGv?6Rf?"??v?&??F?R?7BF??R?W&P?F?&VR?V'2v???( ???R?b?6W&vV?G2?2F?Rf?'7B??F?R66V?R?( ????:??W?6?2?( ?R6??2?BFV??2?RF?BF?&?Vv????F?R&???B?B????2??R?6??6?6???0???R?bF?RwW?26??B?( ?6??W2??2?VB?( ?F?F?( ?@?&V?WfR?B?( ????:??W?F?&?w2?B??F?&WfW'6R?( ??WN( ?2v?6VP?F?R6F???( ?F?R7FFR??6R??fW7F?vF?"???6?&vR?bF?R66R???BF???rF?F?R&W72?'W@?f?"??2??B'F?W" 8?vV????:??W??GF?Rff?"??&???Vg??G&ff?2?v?B????:??W????G2?WBF?P?&??;6?'B?W6WV??F?RV?v??VW&??r?W6WV????'f??W2&?FR????2???WF?v??F?W6?( ?B?V?F????F?R7&??R?76W2F?R7FF?V?v?W&R?R?7B6p??6???fR?( ?&6???VwW7B?Bv??g&VF??l:?VW??"f?v?B?( ??R6?2?( ?vRvW&R&?F?wVW7G0??b????"?( ?W??F?F?R????2?G&?f??rV7B?7&?76??rg&??&??;6???F?wV??&??Gv????R&?@?vV?F??rF?&?Vv?6?6W2?b7??6?V??2??g&?6?GV?2?&??????6??2???r?F??W"????2??6???f???vRBF?R7V??B?V???fW"?GV6??V?FW"7&??R?66V?RFR????RF?R?7B?&G2??