PicsArt Monthly May Issue 2014 | Page 9

PRO INSIGHT Portraits Selfies and Beyond By Lou Jones Since inventors learned how to make the sun turn silver-black, photography has been used for many things: sacred and profane. Practiced all over the world, shutterbugs take pictures of everything from landscapes to still lifes, the latest fashions to real estate, propaganda to memories. However most of us, at one time or another, have resorted to taking portraits--immortalizing our friends, family, acquaintances, even perfect strangers. Portraits are the convergence of familiar subject matter--readily available--with what is varied and exciting. Both weekend-rank amateurs and hardened professionals can consider cherubic, young faces, craggy, visages of wizened old-timers and foreign, multinational physiognomies equally interesting. Energetic juveniles to seniors confined to wheelchairs may all find tremendous enjoyment in portraying people around them. One-hour $1.99 prints that fill overstuffed photo albums as well as silver gelatin enlargements for hanging above the mantle of suburban fireplaces, make up the vast majority of the world’s daily billion-plus photographic output. Portraits are an excellent excuse to take pictures. One of the best. However, much can be said of the different types of portraits--why and how we take them. Oxford Dictionaries selected “selfie” the new Word of the Year 2013. Because cell phones have made photography so ubiquitous along with the instant gratification they provide, self portraits top the photo list. The need and ego to create selfies has escalated in the supercharged technology of urban society. 9| PicsArt Monthly