“ We accomplished harmony between the house and landscape by carefully considering the views and precisely orchestrating circulation to and from the house ,” says Laurie . “ The native landscape in Linville is , in my biased opinion , one of the most beautiful in the world . Our plan was to create gardens that do not distract from this unique landscape , but rather enhance it .”
Collaborating with the architecture and interior design firm of Meyer Greeson Paullin Benson , the cottage was gutted , with additions including a new master bath , enlarged master bedroom , new kitchen , family room , utility area , garage and guest suite . Hardscapes — including terraces , walls and steps — were also added .
Located on top of a knoll and nestled into a small mountain , the landscape is surrounded with natural , undeveloped forest well beyond the property lines . But the house sat awkwardly on the space ; while oriented to take in the majestic views , the land sloped at a dramatic 45-degree angle .
The first step was to grade the property . The family used this as an organizing tool , and it was arguably the most crucial and transformative part of the entire renovation .
This phase started with loads of soil to level out the house . Dump trucks unloaded at both the front and rear of the house , creating a consistent platform and reducing the gradient to a slight slope . It also generated the first glimpse of balance from the house outward .
During this time another important change was addressed — developing level parking areas . Common for high country homes , there was no on-street parking . Having plenty of discreet parking that is accessible , flows well and does not block the views was essential , especially given Laurie ’ s parents ’ love of entertaining .
The cottage is a typical 1950s-era H-plan layout . A grass terrace was installed to provide a better entry experience , but it also visually elevates the front of the cottage .