Pale Fire: A Magazine in 12 Projects Group Three | Page 14

of what they knew. He also to dig a little deeper and then forces readers of both works dig deeper again and then to look at each in a new way dig deeper one more time while keeping the other in just for fun. mind, once again showing the power of multiple inter- Act four, scene 3: Pale Fire pretations. (see commentary to lines 376- 377 on page 194) If Nabokov had copied a dif- ferent Shakespearean Although it may be taken to play, refer to the man who wrote such as Romeo and Juliet , the poem as John Shade, the which has been done and reader cannot be blamed for then done again and then applying the credit to Charles done one more time just for Kinbote, the fine psychopath fun, he would have lost some and inept friend who for a of his punch. He chose a pop- while seemed to be the king ular writer, but he did not of one Zembla. Certainly the choose the most popular play migraines have come from in- showing that the similarities terpreting between the two are often not common the poem and commentary and where it knowledge. was legitimate commentary Consequently, this reaffirms and where it was the ram- the fact that to truly get the blings of a madman who most out of the book one has wanted to voice his opinion. If 14