Overture Magazine 2019-20 BSO_Overture_Mar_Apr_final | Page 22

RAY CHEN PERFORMS SHOSTAKOVICH position at the Staatstheater in Saarbrücken and at the Nationaltheater Mannheim. JOSEPH MEYERHOFF SYMPHONY HALL Thursday, March 19, 2020, 8 pm Saturday, March 21, 2020, 7 pm Off The Cuff Jun Märkl last appeared with the BSO in October 2017, conducting works of Saint- Jun Märkl, conductor Ray Chen, violin Olivier Messiaen The Forgotten Offerings Dmitri Shostakovich Violin Concerto No. 1 in A Minor, op. 77 Nocturne: Adagio Scherzo: Allegro non troppo Passacaglia: Andante Burlesca: Allegro con brio Ray Chen INTERMISSION The works by Messiaen, Ravel and Strauss will be performed on the March 19 performance only. Maurice Ravel Pavane for a Dead Princess Richard Strauss Death and Transfiguration, op. 24 Intermission will last 20 minutes. The performance will end at approximately 10 pm on Thursday and 8 pm on Saturday. PRESENTING SPONSOR: SUPPORTING SPONSOR: About the Artists Jun Märkl Jun Märkl is a highly respected interpreter of Germanic repertoire and has become known for his refined and idiomatic explorations of French Impressionists. His long-standing relationships with the state operas of Vienna, Berlin, Munich and Semperoper Dresden, as well as the MET, have been complemented by his music director positions with the Orchestre National de Lyon and MDR Leipzig Radio Symphony Orchestra. From 2014 – 17, Märkl was Chief Conductor of the Basque National Orchestra. He also guest conducts leading 20 OV E R T U R E / BSOmusic.org orchestras in North America, Asia and Europe. In recognition of his achievements in Lyon, he was honored with the Chevalier de l’Ordre des Arts et des Lettres in 2012. Märkl has an extensive discography of more than 50 CDs, including the complete Schumann symphonies with the NHK Symphony Orchestra; Mendelssohn and Wagner with MDR Leipzig Radio Symphony Orchestra; and Ravel, Messaien and a highly-acclaimed Debussy set with the Orchestre National de Lyon. Born in Munich, Märkl won the conducting competition of the Deutscher Musikrat in 1986 and studied at Tanglewood with Leonard Bernstein and Seiji Ozawa. Soon afterwards, he had a string of appointments in European opera houses, followed by his first music director Saëns, Mozart and Richard Strauss. Ray Chen Ray Chen is a violinist who redefines what it is to be a classical musician in the 21 st century. With a media presence reaching out to millions, Chen’s remarkable musicianship transmits to a global audience that is reflected in his engagements with the foremost orchestras and concert halls around the world. Initially coming to attention via the Yehudi Menuhin (2008) and Queen Elisabeth (2009) competitions, of which he was First Prize winner, Chen has built a profile in Europe, Asia and the U.S., as well as his native Australia. Signed in 2017 to Decca Classics, Chen’s forthcoming recording with the London Philharmonic Orchestra follows three critically acclaimed albums on Sony, the first of which (Virtuoso) received an ECHO Klassik Award. Chen was featured on Forbes’ list of 30 most influential Asians under 30; made a guest appearance on Amazon’s “Mozart in the Jungle;” and performed for a live TV audience on France’s Bastille Day and at the Nobel Prize Concert in Stockholm. Chen has performed with the London Philharmonic Orchestra, National Symphony Orchestra, Los Angeles Philharmonic and Pittsburgh Symphony and will make debuts with the San Francisco Symphony, Berlin Radio Symphony and Bavarian Radio Chamber Orchestra. He works regularly with conductors such as Riccardo Chailly, Manfred Honeck, Daniele Gatti and Kirill Petrenko. Chen’s commitment to music education is paramount and inspires the younger generation of music students with his series of self-produced videos combining comedy and music. Through his online promotions, his appearances regularly sellout and draw an entirely new demographic to the concert hall.