Overture Magazine 2019-20 BSO_Overture_Mar_Apr_final | Page 18

MAHLER SYMPHONY NO. 3 University of Maryland Concert Choir THE MUSIC CENTER AT STRATHMORE Thursday, March 12, 2020, 8 pm Saturday, March 14, 2020, 8 pm JOSEPH MEYERHOFF SYMPHONY HALL Friday, March 13, 2020, 8 pm Marin Alsop, conductor Cierra Byrd, mezzo-soprano University of Maryland Concert Choir, Edward Maclary, director Peabody Children’s Chorus, Doreen Falby, director Gustav Mahler Symphony No. 3 in D Minor Kräftig, Entschieden Tempo di Menuetto. Sehr mässig Comodo. Scherzando. Ohne Hast Sehr langsam. Misterioso Lustig im Tempo und keck im Ausdruck Langsam. Ruhevoll. Empfunden The performance will end at approximately 9:45 pm. This performance will not include an intermission. PRESENTING SPONSOR: MEDIA PARTNER: The appearance of the Peabody Children’s Chorus is made possible through the support of the Hilda Perl Goodwin Young Artist Fund. About the Artists Marin Alsop For Marin Alsop’s bio, please see pg. 7. Cierra Byrd Cierra Byrd, mezzo soprano, is a native of Akron, OH and a graduate of The Ohio State University. Byrd has performed as a featured soloist nationally and abroad with recognized ensembles and organizations. She is the first winner of the Wilson Vocal Award; a recipient of the Peabody Institute’s Artist Excellence Award; and has recently placed as finalist or semi-finalist in The British Art Song Society Competition, The National Opera Association’s 16 OV E R T U R E / BSOmusic.org Carolyn Bailey and Dominick Argento Vocal Competition, the Opera Ebony Competition, the Peabody Institute’s Art Song Competition and in Baltimore’s Wonderlic Memorial Competition. Byrd is currently pursuing a graduate degree at the Peabody Institute under the tutelage of Margaret Baroody and Denyce Graves. Recent and future roles include La Zia Principessa in Suor Angelica and Lady Catherine de Bourgh in Pride and Prejudice with Peabody Opera Theatre; The Witch in Hansel and Gretel with Opera Saratoga; The Lioness in The Opposable Thumb with American Lyric Theater; and The Governess in The Queen of Spades with Des Moines Metro Opera. The University of Maryland (UMD) Concert Choir comprises singers chosen by audition from across the College Park campus. Over the past two decades the ensemble has established a national reputation for excellence in the performance of a wide range of symphonic literature. The UMD Concert Choir made its debut in 2013 with the Baltimore Symphony Orchestra under Marin Alsop in performances of Britten’s War Requiem to mark the composer’s centenary. Since then the ensemble has been honored to perform with the Baltimore Symphony Orchestra (BSO) in a diverse body of repertoire such as the Mozart Requiem and Mass in C minor, Brahms’ Ein deutsches Requiem, Arvo Pärt’s Credo and Stravinsky’s Symphony of Psalms. Their most recent collaboration with Marin Alsop and the BSO was in March 2019 when they sang the world premiere of Across the Line of Dreams by Roxanna Panufnik. The UMD Concert Choir has become the ensemble of choice for the National Symphony Orchestra’s (NSO) annual performances of Handel’s Messiah, performing the work in ten of the last fifteen seasons at the Kennedy Center. In 2019 they made their Carnegie Hall debut, performing the Rossini Stabat Mater and Liszt’s A Symphony to Dante’s Divine Comedy with the NSO and Gianandrea Noseda. Edward Maclary leads the UMD choral ensembles and directs the graduate conducting program at the School of Music. Ensembles under his direction have won top prizes in international competitions, appeared at major concert venues throughout the U.S. and performed by invitation on multiple occasions at prestigious, professional music conferences. The UMD Concert Choir last appeared with the BSO in March 2019, performing works of Bernstein, Roxanna Panufnik and Cierra Byrd makes her BSO debut. Villa-Lobos; Marin Alsop, conductor.