Overture Magazine 2019-20 BSO_Overture_Jan Feb | Page 30

ROMEO AND JULIET About the Artists MUSIC CENTER AT STRATHMORE Friday, February 14, 2020, 8:15 pm Sunday, February 16, 2020, 3 pm Off The Cuff Marin Alsop, conductor Yulianna Avdeeva, piano Wolfgang Amadeus Mozart Overture to The Marriage of Figaro Frédéric Chopin Piano Concerto No. 2 in F Minor, op. 21 Maestoso Larghetto Allegro vivace Yulianna Avdeeva INTERMISSION Pieces by Chopin and Mozart are included on the February 13 and February 16 performances only. Sergei Prokofiev Suite from Romeo and Juliet, op. 64 Montagues and Capulets Scene Morning Dance Young Juliet Masks Friar Laurence Dance Death of Tybalt Dance of the Antilles Girls Aubade Romeo at Juliet’s Tomb Juliet’s Death The intermission on Thursday and Sunday will last 20 minutes. The concert will end at approximately 10 pm on Thursday, 9 pm on Friday, 7:45 pm on Saturday and 5 pm on Sunday. PRESENTING SPONSOR: OFFICIAL INTERNET PROVIDER OF THE BSO: 28 OV E R T U R E / BSOmusic.org Marin Alsop For Marin Alsop’s bio, please see pg. 7. JOSEPH MEYERHOFF SYMPHONY HALL Thursday, February 13, 2020, 8 pm Saturday, February 15, 2020, 7 pm Off The Cuff Yulianna Avdeeva Described by the Financial Times as an artist who is “able to let the music breathe,” Yulianna Avdeeva gained international recognition when she won First Prize in the Chopin Competition in 2010. Avdeeva’s artistic integrity is rapidly ensuring her a place among the most distinctive artists of her generation. Following her Los Angeles Philharmonic debut with Gustavo Dudamel in May 2019, Avdeeva ventures on a dynamic 2019-20 season, which includes debuts with Orchestre philharmonique de Radio France and a return to the Pittsburgh Symphony Orchestra. Recent highlights have included debuts at the Salzburg Festival, Alte Oper Frankfurt and Lucerne Festival; a tour of Germany with the Academy of St Martin in the Fields; and engagements with the Royal Stockholm Philharmonic Orchestra, Berlin Radio Symphony Orchestra and London Philharmonic Orchestra. Avdeeva’s Chopin performances have drawn particular praise, marking her out as one of the composer’s foremost interpreters. Her long association with the Fryderyk Chopin Institute has won her a huge following in Poland, and she is a regular performer with the Warsaw Philharmonic and Polish National Radio Symphony orchestras. Avdeeva recorded the Chopin concertos with the Orchestra of the Eighteenth Century and Frans Brüggen and a solo recording as part of a milestone collection dedicated to the brightest winners of the Chopin Competition between 1927 and 2010 on Deutsche Grammophon. A committed chamber musician, she has worked with the Philharmonia Quartet and regularily tours throughout Europe with violinists Julia Fischer and Gidon Kremer. Avdeeva began her piano studies at the age of five with Elena Ivanova at Moscow’s Gnessin Special School of Music and later studied with Scherbakov and Tropp. At the