Overture Magazine 2019-20 BSO_Overture_Jan Feb | Page 15

CONCERT SEASON 2019 - 2020 Who was Antonio Salieri? Throughout the drama, we see Mozart and hear his music exclusively from the viewpoint of the jealous Salieri. The entire story flows from Salieri’s confession to a young priest, made in 1823 more than thirty years after Mozart’s death, that he is tormented by the belief he drove Mozart to his death. This was a giant expansion of an idea suggested by the legendary Russian poet Alexander Pushkin in his 1830 play Mozart and Salieri, in which the envious Italian murders Mozart. Later in the century, Nikolai Rimsky-Korsakov made this play into an opera. But was Antonio Salieri really guilty of such a thing? Historians all say no and point to the apparent friendship between the two men and the fact that Mozart actually asked the older man to teach music to his son. Born in Legnano, Italy, Salieri came to the Viennese court as a teenage musician and soon became the protégé and close friend of the great composer Christoph Willibald Gluck. Kapellmeister to the Viennese court for 36 years, Salieri was in fact a prolific and successful composer whose operas triumphed in Vienna and Paris, though they have been forgotten today. Admired for his encouragement of young musicians, he was a superb teacher who counted Beethoven, Schubert, Hummel and Liszt among his pupils. There is no record that he ever had a nervous collapse or spent time in a mental asylum. Schaffer admits that his story is fictional: “a fantasia on the theme of Mozart and Salieri .…Obviously, Amadeus on stage was never intended to be a documentary biography of the composer, and the film was even less of one.” Nevertheless, profound truths lie hidden within Schaffer’s fiction. The Making of the Film In the audience of one of the first performances of the play was the Czech- born film director Miloš Forman, who had defected to the West in 1968. He said he immediately wanted to make the drama into a film. Having directed the film version of Hair in 1981, he was thoroughly experienced in handling SUNDAYS | 3:30PM SUNDAYS | 7:30PM SEPTEMBER 22 RONN MCFARLANE, LUTE CHAMBER MUSIC BY CANDLELIGHT FEATURING MEMBERS OF THE BALTIMORE SYMPHONY ORCHESTRA OCTOBER 20 THE THIRTEEN CHOIR, CHAMBER CHOIR NOVEMBER 3 JENNY LIN, PIANO JANUARY 26 BENEDICT KLOECKNER, CELLO SEPTEMBER 15 OCTOBER 6 NOVEMBER 17 JANUARY 12 MARCH 15 FEBRUARY 23 MAINSTREET BRASS APRIL 5 MARCH 22 MICHAEL SHEPPARD, PIANO & SVET STOYANOV, PERCUSSION JUNE 7 APRIL 19 WONDERLIC PIANO CONCERT FREE TO ALL. NO TICKETS OR RESERVATIONS REQUIRED. MAY 17 MAY 3 BEN BEIRS, GUITAR & JASMINE CHOI, FLUTE For more information call 443.759.3309 or visit CommunityConcertsAtSecond.org ™ Call for Current Availability A Lifestyle of Freedom and Peaceful Enjoyment • 94 acre beautifully scenic campus • Single story Garden Homes • New Hillside Homes • Access to a full spectrum of healthcare services • Stimulating social activities • Exceptional dining venues • Fitness, aquatic & wellness programs • Pet friendly campus and more Now offering Life Care and Fee for Service residency options For more information call 443.578.8008 or visit broadmead.org 13801 York Road • Cockeysville, MD 21030 TTY/Voice - Maryland Relay Service 1.800.201.7165 A Quaker guided, not-for-profit retirement community JA N – F E B 2020 / OV E R T U R E 13