Overture Magazine - 2018-19 Season BSO_Overture_NOV_DEC | Page 19
COPLAND SYMPHONY NO. 3
symphony orchestras of Boston, Atlanta,
Chicago, San Diego and New Zealand.
Needleman is a founding member
of the oboe trio Trio La Milpa, the first
American chamber ensemble to perform
in Greenland; the woodwind quintet
Astral Winds; and Mico Nonet, an
improvisational ambient chamber music
ensemble involving colleagues from
the Berlin Philharmonic, Philadelphia
Orchestra, Richmond Symphony and
1970s synthesizers. Needleman’s other
chamber music engagements have taken
her to Carnegie Hall, Weill Recital Hall
and the Metropolitan Museum in New
York; Jordan Hall and the Isabella Stewart
Gardner Museum in Boston; and the
Freer Gallery in Washington, D.C. She
has appeared at the Verbier Festival in
Switzerland, Italy’s Spoleto Festival, the
Alpenglow Festival and the Newport
Music Festival. A participant at the
Marlboro Music Festival, she has also
appeared on two tours with Musicians
from Marlboro.
Devoted to the music of our time,
Needleman has premiered numerous works
and has commissioned works by Luis
Prado, Chia-Yu Hsu and David Ludwig.
She gave the American premiere
of Brenno Blauth’s Concertino. She
recorded Christopher Rouse’s Oboe
Concerto with the Albany Symphony
and David Alan Miller and gave the
West Coast premiere of the work with
Marin Alsop at the Cabrillo Festival.
A Baltimore native, Needleman attended
high school at the Baltimore School for
the Arts but left early to attend the Curtis
Institute of Music, where she received a
Bachelor of Music degree as a student of
Richard Woodhams. Needleman is on the
faculty of the Curtis Institute of Music’s
Young Artist Summer Program. She has
released a solo album with pianist Jennifer
Lim on the GENUIN label.
Katherine Needleman last appeared
with the BSO in June 2018, performing
Kevin Puts’ Moonlight.
About the Concert
MOTHERSHIP
Mason Bates
Born in Richmond, VA, January 23, 1977
Mason Bates’ Mothership is an orchestral
work that could only have been born
in the 21 st century. It received its world
premiere at the famed Sydney Opera
House in Australia performed by the
YouTube Symphony led by Michael
Tilson Thomas on March 21, 2011 and
was viewed online on YouTube by nearly
two million people worldwide. It skillfully
merges the usually divergent worlds of
classical symphonic music and the driving
rhythms of techno and the up-to-the-
moment sounds of electronics.
Bates himself straddles that perceived
gulf with ease. Holder of a Ph.D. in
music from the University of California-
Berkeley and recently appointed as the
Kennedy Center’s first composer-in-
residence, he has also moonlighted as
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