Overture Magazine - 2018-19 Season BSO_Overture_JanFeb_19 | Page 11
to suffer symptoms of a debilitating
condition of his right hand, later
diagnosed as focal dystonia, a neurological
condition that causes the fingers to curl
into the palm of the hand.
Fleisher channeled his creativity in new
directions, mastering the piano repertoire
for left hand and initiating a career in
conducting. He renewed his dedication to
teaching at the Peabody Institute, where
he has been an inspiration to hundreds
of students since 1959. As a teacher, he
has carried on a tradition that descends
directly from Beethoven himself, handed
down generationally through Carl Czerny,
Theodor Leschetizky, Artur Schnabel and
Fleisher himself.
In the mid-90s, with the combined
therapies of Botox injections and Rolfing,
he regained sufficient use of his right
hand, leading to an extraordinary career
renaissance. In 2003, Fleisher joined forces
with his wife, pianist Katherine Jacobson,
to form the Fleisher-Jacobson Piano Duo,
giving concerts world-wide and recording
for Sony Classical. Fleisher released the
album Two Hands in 2004, which went on
to hold a Top 5 Billboard Chart position.
Two Hands is also the title of the Oscar-
nominated documentary film about his
amazing life story. In 2013, Sony Classical
issued a 23-CD box set of his entire
recorded output, and in 2014, Fleisher
released the Grammy-nominated All the
Things You Are, which reached Number
One on the classical charts.
Fleisher continues with an
international schedule of performances,
orchestral guest conducting and master
classes. In recent seasons, he has
conducted leading orchestras in the U.S.,
Canada, China and Japan; appeared as
concerto soloist with orchestras including
the Baltimore and Cincinnati symphony
orchestras; performed recitals worldwide;
and given his memorable master
classes at festivals, conservatories and
universities around the country.
In celebration of his 90 th year in
2018 –19, he appears in Toronto,
Ottawa and Montreal as soloist with the
Toronto Symphony Orchestra and Peter
Oundjian; at the Gilmore Keyboard
Festival; and in recitals at Carnegie Hall
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