Overture Magazine: 2016-2017 Season May-June 2017 | Page 17

An elegant demonstration of this belief, the Concerto in G was enormously successful at its premiere in Paris, with the composer conducting and Marguerite Long as soloist, on January 14, 1932. Its first movement mixes a timeless exoticism, arrayed in Ravel’s most sparkling orchestral hues, with a percussive, jazz-driven 20 th - century pace. The opening is arresting: the crack of a whip sets off dazzling, bell-like music with the pianist playing white keys in the right hand against clashing black keys in the left. The piccolo whirls through a piquant melody, inspired by the folk melodies of Ravel’s native Basque country. Then the tempo slows to a bluesy mood, with wailing clarinet and muted trumpet melodies George Gershwin himself might have penned. Basque and Blues alternate until Ravel dismisses the movement with a circus-clown laugh. Jazz takes a rest during the delicately beautiful slow movement, which is in the antique style of the composer’s famous Pavane for a Dead Princess. Playing alone, the piano sings a long, pensive melody to which solo woodwinds give sensitive commentary. Later, the English horn reprises this melody while the piano shimmers around it. A musical perfectionist, Ravel had great difficulty with this exquisite movement and claimed that only close attention to the great slow movement in Mozart’s Clarinet Quintet pulled him through. The finale brings back the world of jazz with a light-hearted, high-speed chase in which the piano is nearly always in the lead, urged on by mocking orchestral laughter. SubScription Celebrate our 110 th Anniversary Subscribe today at $1.10 per issue 110 TH A N N I V E R S A R Y E D I T I O N C O L L E C T O R ’ S I S S U E JANUARY 2017 You’re Welcome, America. HOW BALTIMORE InvEnTEd THE MOdERn WORLd baltimoremagazine.net | $5.99 bmag.co/anniversary Instrumentation: Flute, piccolo, oboe, English horn, clarinet, E-flat clarinet, two bassoons, two horns, trumpet, trombone, timpani, percussion, harp, strings. T he F irebird (complete, 1910) Igor Stravinsky Born in Oranienbaum, Russia, June 17, 1882; died in New York City, April 6, 1971 Igor Stravinsky’s music for the fairytale ballet The Firebird, particularly in its suite adaptation, is by far his most popular work. May– June 2017 | O v ertur e 15