Overture Magazine - 2014-2015 November-December 2014 | Page 28

{ program notes PEABODY PERFORMS Edward Polochick, conductor Peabody Concert Orchestra Peabody Singers Peabody-Hopkins Chorus Johann Sebastian Bach: Magnificat in D major, BWV 243 Edward Elgar: Enigma Variations, Op. 36 Sponsored by the Douglas S. and Hilda P. Goodwin Fund of the Peabody Conservatory TUESDAY, DECEMBER 9 at 8:00 pm Miriam A. Friedberg Concert Hall $15 Adults, $10 Seniors, $5 Students For tickets, call 410-234-4800 or visit peabody.jhu.edu/events. this time it was clear that Napoleon’s days were numbered. For the occasion, Beethoven had written one of his most notorious compositions Wellington’s Victory: a military extravaganza calling for vast troops of musicians and a huge percussion battery. In one of his last appearances as a conductor, he led the proceedings, but his deafness severely hampered his effectiveness. It is amazing the Seventh Symphony was even noticed in this circus atmosphere, but indeed it was warmly received and the audience demanded an encore of the second movement. The first movement begins with a slow introduction, the biggest Beethoven ever wrote. Its expansive dimensions, accentuated by majestic rising scales, allows for two lyrical interludes — led first by oboes, then by the flute — which carry the music to keys remote from the A-major home base. It is linked to the main Vivace section by the playful evolution of the galloping rhythm that drives the rest of the movement. Late in its course, listen for the remarkable passage in which the low strings mutter B