Overture Magazine - 2014-2015 May-June 2015 | Page 17

his income suffered. His Spanish-born first wife, Lena, was sent to the Gulag, a clear warning of what could happen if he didn’t watch his step. The terrible strain took its toll, and Prokofiev’s health declined rapidly. By 1951 when he began composing his seventh and last symphony, his heart condition kept him in hospital much of the time. Nevertheless, composing was the only thing that made life worth living, and Prokofiev continued his work even in his hospital bed. In his last public appearance on October 11, 1952, he attended the Seventh Symphony’s world premiere in Moscow. Less than five months later, he was dead, leaving behind a long list of works he wanted to compose or revise. In the words of Prokofiev biographer Harlow Robinson, “The Seventh is an old man’s symphony, beyond strife and conflict.” The man who had enchanted children with his Peter and the Wolf originally thought this music would be a smaller score created for young people. Thus he emphasized what he called “simplicity” and lyrical melody — an approach calculated to keep him in the good graces of the Soviet authorities as well. There is a quality of gentle reminiscence throughout this music, especially in the poignant third movement. And there is almost nothing to be heard of the biting sarcasm and brutal virtuosity that characterized the music of the wild young Prokofiev. Illness and adversity had made him a tamed lion. The Symphony’s first movement opens with a wistful, lonely theme winding high in the violins; Prokofiev lingers over this melody for quite a while, surrounding it with delicate, tremulous instrumental colors. The movement’s other major theme then wells up from low strings and winds: a more confident and deeply romantic melody which will return late in the Symphony. Notice also the whimsical chiming music featuring high woodwinds and triangle that closes this opening exposition section; it too will play a significant role in the work’s conclusion. A subtle development of these ideas and BE OUR COUNTRY HOUSE GUEST When Winterthur founder Henry Francis du Pont invited the public to tour his majestic home and garden in 1952, he established a beloved spring tradition that continues today—Spring at Winterthur. Enjoy special tours of du Pont’s former home, majestic country estate, and world-renowned garden filled with ever-changing blooms. Plan your visit today! For more information, please call 800.448.3883 or visit winterthur.org/spring. Winterthur is nestled in Delaware’s beautiful Brandywine Valley on Route 52, between I-95 and Route 1.  Take I-95 to Exit 7 in Delaware. May– June 2015 | O v ertur e 15