Overture Magazine - 2014-2015 January-February 2015 | Page 37

program notes { Nicholas McGegan For Nicholas McGegan's bio., please refer to page 12. Jo seph M eyer ho f f Sy m pho ny Hall Off the Cuff: The Bach Family Ch r is Lee Jonathon Carney Saturday, February 14, 2015 — 7p.m. Nicholas Mcgegan, Conductor Jonathan Carney, Violin Madeline Adkins, Violin Rui Du, Violin Dariusz Skoraczewski, Cello Emily Skala, Flute Michael Lisicky, Oboe Johann Sebastian Bach Orchestral Suite No. 4 in D Major, BWV 1069 Overture Johann Christian Bach Sinfonia Concertante for Flute, Oboe, Violin and Cello in C Major, C. 43 Allegretto RUI DU DARIUSZ SKORACZEWSKI EMILY SKALA MICHAEL LISICKY Johann Sebastian Bach Concerto for Two Violins in D minor, BWV 1043 Vivace Largo ma non tanto Allegro JONATHAN CARNEY MADELINE ADKINS Ca ssi dy D u h o n Carl Philipp Emanuel Bach Symphony in E-Flat Major, Wq 179 (H. 654) Prestissimo Larghetto Presto Concertmaster Jonathan Carney is in his 14th season with the Baltimore Symphony Orchestra (BSO) after 12 seasons in the same position with London’s Royal Philharmonic Orchestra. After completing his studies with Ivan Galamian and Christine Dethier, he was awarded a Leverhulme Fellowship to continue his studies in London at the Royal College of Music. Solo performances have included concertos by Bruch, Korngold, Khatchaturian, Sibelius, Nielsen, the Brahms Double Concerto and Vaughan Williams’ The Lark Ascending, which was featured as a live BBC broadcast from London’s Barbican Hall. He has made a number of recordings, including concertos by Mozart, Vivaldi and Nielsen, sonatas by Brahms, Beethoven and Franck, and a disc of virtuoso works by Sarasate and Kreisler with his mother Gloria Carney as pianist. Madeline Adkins Madeline Adkins was appointed to the position of associate concertmaster of the BSO by Maestro Yuri Temirkanov in 2005. She has appeared frequently as soloist with the BSO, performing works by Beethoven, Vaughan Williams, Bach, Mendelssohn, Mozart and Prokofiev. Ms. Adkins also performs as concertmaster of the Baltimore Chamber Orchestra. She has served as guest concertmaster of the Hong Kong Philharmonic, the Indianapolis Symphony Orchestra, the Oregon Symphony, and the Grant Park Symphony Orchestra in Chicago, as well as concertmaster of the Tanglewood Music Center Orchestra under Seiji Ozawa.  January–February 2015 | O v ertur e 35