Overture Magazine - 2014-2015 January-February 2015 | Page 12

Johann Christian Bach J.C. is sometimes referred to as "the London Bach" or "the English Bach,” having spent time living in the British capital, where he came to be known as John Bach. He is noted for influencing the concerto style of Mozart. The London Bach C l a s s i ca l H e r i tag e Off the Cuff highlights the musical lineage of The Bach family Born in 1710, Wilhelm Friedemann Bach was the second child and eldest son of Johann Sebastian Bach and Bach’s first wife,Maria Barbara Bach. Despite his acclaimed genius as an organist, composer, and performer, Wilhelm Friedemann died in poverty. Wilhelm Friedemann Bach Just call me Willy By C hristianna Mc C ausland I n February, the BSO will welcome a guest conductor to the popular Off the Cuff series when Nicholas McGegan, music director of Philharmonia Baroque Orchestra in San Francisco, takes the podium in an all-Bach performance. While most audience members will be familiar with Johann Sebastian Bach’s works, the performance will also feature works by two of Johann Sebastian’s sons, highlighting a musical lineage that extends across many generations. ◗ J.S. Bach was born in 1685, the son of a string player, though there is evidence that musicians were abundant in the Bach family even earlier. J.S. himself wrote a family genealogy tracing his musical heritage to his great-great-grandfather, Veit Bach, who played the cittern (a string instrument). When J.S.’s parents both died in close succession, the young Bach lived with his brother, a church organist who gave J.S. his first lessons on keyboard instruments. 10 O v ertur e | www. bsomusic .org The Bach musical family tree The Bach legacy of musical genius spanned at least four generations: J.S. himself wrote a family genealogy tracing his musical heritage to his great-greatgrandfather, Veit Bach, who played the cittern (a string instrument). Of J.S. Bach’s 20 children, at least four showed musical prowess: Johann Christoph Friedrich, Wilhelm Friedemann, Johann Christian (J.C.) and Carl Philipp Emanuel (C.P.E.). Of these, J.C. and C.P.E. have carved out their own place in musical history. J.S. grew to be an eminent organist in his own time as well as a composer in the baroque style. He is now considered to be one of the most important composers of all time with his masterworks — including the Mass in B minor, Fugue in D minor, and the Brandenburg Concertos, for example — comprising the lodestone of classical music. He pushed the boundaries of what musicians could accomplish with their instruments, a raising of the bar that impacted all composers to follow. BSO Concertmaster Jonathan Carney explains that Bach’s collection of sonatas and partitas for solo violin are “the Bible for violinist