Overture Magazine 2013-2014 November-December 2013 | Page 34

{ Program Notes Jennifer Zetlan Soprano Jennifer Zetlan is swiftly garnering recognition for her artistry and captivating stage presence. She has debuted on the stages of the Metropolitan Opera, New York City Opera, Seattle Opera, Santa Fe Opera and Florida Grand Opera. On the concert stage, she has performed with the New York Philharmonic, St. Paul Chamber Orchestra, the Indianapolis Symphony, The Juilliard Orchestra and has been heard at Carnegie Hall in recital and with Oratorio Society of New York, Musica Sacra and the New York Youth Symphony. Zetlan opens the 2013–2014 season at the Metropolitan Opera singing the role of Rebecca in the U.S. premiere of Nico Muhly’s Two Boys. She also sings Mozart’s Requiem with the Oratorio Society of 32 O v ertur e | www. bsomusic .org New York and Messiah with the Baltimore Symphony Orchestra. Zetlan returns to Seattle Opera after great success last season, this time as Gilda in Rigoletto. Zetlan closes the season at the Lexington Philharmonic performing Golijov’s Three Songs for Soprano and Beethoven’s Symphony No. 9. In this past season, Zetlan returned to Seattle Opera as Musetta in La bohème and for Stephen Wadsworth’s acclaimed Ring cycle, in which she was heard as Woglinde in Das Rheingold and Götterdämmerung and as The Forest Bird in Siegfried. She returned to the roster of The Metropolitan Opera for their production of Le nozze di Figaro, and made debuts with the American Composers Orchestra and the Omaha Symphony. She also made her debut with the National Chorale in performances of Orff’s famed Carmina Burana and returned to Nashville Opera as Pamina in Die Zauberflöte. Mumford appeared with Gustavo Dudamel and the Los Angeles Philharmonic in the US and European tours of the world premiere of John Adam’s The Gospel According to the Other Mary. She also made debuts with the New York Philharmonic, San Francisco Symphony and Milwaukee Symphony orchestras, and at the Hollywood Bowl and the Ravinia, Tanglewood, Grand Teton and La Jolla Summer Music festivals. Mumford’s awards include the Arthur E. Walters Memorial Award in the 2005 Opera Index Competition, second place in the advanced division in the 2005 Palm Beach Opera Competition, and awards in the 2005 Sullivan Foundation Competition, the 2005 Connecticut Opera Guild Competition and the 2004 Joyce Dutka Foundation Competition.  Ms. Mumford was also a Mathias Winner and PBS Concert Soloist for the 2001 MacAllister Awards. Jennifer Zetlan is making her BSO Debut. Tamara Mumford is making her BSO Debut. Tamara Mumford This season, mezzosoprano Tamara Mumford returns to the Metropolitan Opera for A Midsummer Night’s Dream and Wozzeck, and appears in concert with the New York Philharmonic, Seattle Symphony Orchestra and the Kansas City Symphony. A graduate of the Metropolitan Opera’s Lindemann Young Artist Development Program, Mumford made her debut there as Laura in Luisa Miller, and has since appeared in productions of Rigoletto, Ariadne auf Naxos, Il Trittico, Parsifal, Idomeneo, The Queen of Spades, the complete Ring cycle and The Magic Flute. Other opera engagements included the title role in the American premiere of Henze’s Phaedra and the title role in The Rape of Lucretia at the Opera Company of Philadelphia, Ottavia in L’incoronazione di Poppea at the Glyndebourne Opera Festival and the BBC Proms, and the title role in La Cenerentola at Utah Festival Opera. Ch r istian Stei n er J an d J Ph oto gr aphy Edward Polochick last appeared with the BSO December 2012, conducting Messiah. Dar i o Acosta choral conductor. His appearances have included the Houston Symphony, Chautauqua Symphony, the Opera Company of Philadelphia, the Aalborg Symphony of Denmark, Omaha Symphony, Jacksonville Symphony, Daejeon Philharmonic in Korea, St. Petersburg Symphony in Russia and the State of Mexico Symphony Orchestra in Toluca, Mexico. Polochick resides in Baltimore, where he is often asked to share his knowledge and love of music at various lecture series, adjudications and radio broadcasts. He received the Peggy and Yale Gordon Achievement Award and in 2000, he was made an honorary member of the Baltimore Music Club. In 2002, he was awarded the Johns Hopkins University Distinguished Alumnus Award, one of only three Peabody alumni to be honored. Maestro Polochick is also a regular panelist on Face the Music, a review of recordings hosted by Jonathan Palevsky of WBJC-FM. In 2011, he adjudicated an international vocal competition in Caiazzo, Italy. Barry Banks Barry Banks’ outstanding facility in roles by Bellini, Rossini and Donizetti has brought him to the attention of the world’s leading opera houses. With the Metropolitan Opera, he has partnered Renée Fleming in Rossini’s Armida, Natalie Dessay in La fille du régiment and La sonnambula, Olga Borodina in L’italiana in Algeri and Anna Netrebko in Don Pasquale.   Current season highlights include the Duke of Mantua in English National Opera’s production of Rigoletto, Iago in Otello at Théâtre des Champs-Elysées and again at the Salzburg Festival, and performances as Flute in A Midsummer Night’s Dream at the Metropolitan Opera. Concert highlights include performances with B