Overture Magazine 2013-2014 January-February 2014 | Page 16

{ Program Notes Cl ai r e M cAdams Andrew Grams last performed with the BSO in December 2013, conducting The Nutcracker at the Modell Performing Arts Center at the Lyric. Lauren Snouffer A recent graduate of the Houston Grand Opera Studio, American soprano Lauren Snouffer has bowed at the Company as Elvira in L’ italiana in  Algeri, Ellie in Show Boat in a new production by Francesca Zambello under the baton of Music Director Patrick Summers, Lucia in The Rape of Lucretia conducted by Rory Macdonald and directed by Arin Arbus, Thibault in a new production of Don Carlos directed by John Caird and conducted by Patrick Summers, and as Rosina in student performances of Il barbiere di Siviglia. During the 2013-2014 season, she sings Pamina in The Magic Flute for a company debut at the Lyric Opera of Kansas City conducted by Gary  Wedow, and joins the roster of the Lyric Opera of Chicago in productions of Rusalka and La clemenza di Tito.  She makes a New York Philharmonic debut in HK Gruber’s Gloria – A Pig Tale conducted by Alan Gilbert and directed by Doug Fitch, and joins Matthias Pintscher for Bach’s Johannes-Passion with the International Beethoven Project in Chicago.  This past summer she appeared with the Aspen Contemporary Ensemble singing Ligeti’s Mysteries of the Macabre and performed the role of Agnes in George Benjamin’s Written on Skin at Tanglewood under the baton of the composer. Ms. Snouffer has collaborated with Houston’s Mercury Baroque, Juilliard415 and with the AXIOM Ensemble.  She was a grand finalist in the 2012 Metropolitan Opera National Council Auditions and is a graduate of Rice University and The Juilliard School. Lauren Snouffer is making her BSO Debut. 14 O v ertur e | www. bsomusic .org About the concert: Johann Strauss II 1825–1899 Franz Lehár 1870–1948 Wolfgang Amadeus Mozart 1756–1791 Part fantasy and part reality, Old Vienna was the city devoted to the pleasure principle — a feast for all the senses. Buildings decorated like wedding cakes dazzled the eyes. Sugar-spun pastries teased the palate. And for over a century, if you loved music you were in paradise: Mozart, Beethoven, Schubert, Brahms, and the Strauss family all made their careers in Vienna between the 1780s and the 1890s. All the music we’ll hear on this program was born in this imperial city, which during that period still reigned over the AustroHungarian Empire, comprising today’s countries of the Czech Republic, Slovakia, Hungary, and Austria. The Voices of Spring Waltz began its life as a waltz song in praise of the coming of Spring Above all, Vienna was Europe’s premier ballroom. In 1807, Vienna’s first grand dance hall, the Sperl, was opened. In the following decade, Johann Strauss I rapidly became one of Vienna’s most popular dance conductor-composers, and when in 1829 he took over the orchestra at Sperl’s, he became the undisputed king. He reigned unchallenged until 1844 when his 18-year-old son Johann II began leading the rival orchestra at