Overture Magazine 2013-2014 January-February 2014 | Page 13

Ken n e th Adam This season’s Music Box The series has proven concerts—three in the fall, so popular at the three in the spring (the spring series begins on March 29 Meyerhoff that each with Bugs!)—follow a preprogram will scribed format—four or five BSO musicians, chosen based also be presented at on the concert’s theme, acthe Music Center at company Broom, who teaches the older kids and their Strathmore beginning parents and caregivers the this spring. words set to familiar tunes like Row, Row, Row Your Boat and Twinkle, Twinkle. At a recent concert about large animals, for example, Broom sang “Gorillas go marching one by one” to the tune of Ants Go Marching. There’s always a “bouncing” activity, says Bogash, when the adults can bounce the little ones “so they have a rhythmic connection,” and there’s also a clapping song, she says. “It’s amazing; we’ve had six-month olds clapping in time to the music.” About two years ago, Broom says, she got a call from Bogash, who described her idea for a music program for the very young. “She said, we think you’d be perfect for hosting it,” Broom recalls. Then Broom, along with Bogash and Annemarie Guzy, the BSO education director, spent about nine months discussing and developing the idea. Bogash notes she collaborated with Learning at Five, a child readiness program, when creating the series. They decided on simple themes like Teeny Tiny Critters; Arctic Animals; and Cars, Trucks, Trains and Boats, rewriting the words to familiar children’s songs to fit the themes. “I’m awestruck by the musicians,” says Broom. “These symphony players come in to rehearsals and treat it so professionally —they’re playing Hickory Dickory Dock on a French horn.” But Broom, who points out that the musicians also play several classical pieces, believes this approach is valuable for children. “Clickety Clack is not Tchaikovsky; it isn’t symphonic music. BSO violinist Ellen Troyer performs for the kids attending the Music Box series. But children get to hear it played on these amazing instruments by professional musicians,” she says. D’Arcy Talley grew up surrounded by music. Her family, she says, “Sings together—at the dinner table, with a piano, you name it.” She herself sang in the Cathedral of Mary Our Queen contemporary choir until her twins were born. So when she learned of the Music Box Series, she immediately bought tickets. “I want my kids to be exposed, as I was, to all realms of music.” Talley’s parents took their daughters to the symphony when the girls were young, and remain season ticket holders with the BSO. Therein lies another benefit of the Music Box Series: Unlike Talley, many of the young parents, says Bogash, “may not have been to the BSO,” says Bogash. “We’re bringing in new audiences” beyond just the children. The Midweek Education Series BSO Academy Programs provide Ready at Five is an initiative provides inspiring music to over 35,000 children in pre-kindergarten through the sixth grade. amateur musicians opportunities to rehears