OTWO Magazine March 2020 | Page 80

Two weeks ago, I set out with three of my colleagues from the High Atlas Foundation (HAF, Marrakech) to the village of Gourrama in the Moroccan Middle At- las Mountains. Our journey, from sunrise to sunset, took us across rugged terrains and through commu- nities of all sizes. I reveled in the beauty, both na- tural and created, that flashed by my window as we drove. Each of the passing images aroused in me the innocent excitement one feels at seeing a place for the first time, if even just for a moment. Solitary concrete buildings partitioned the flowing green fields we slipped through. Washed in fading emeralds, reds, pinks, and oranges, in profi- le, they appeared as stooped faces, their heavy-set brows animated by the soulful eyes of lit windows. They, witnesses to the passing lives and journeys of all, were solemn and resolute in their observation. Other constructions lay further back from the road, their glossy tin roofs peeking out from the verdant seas beside which they stood. The space between these oases of life and color did not feel hollow or maligned. It existed alongside the same expansive- ness with which the blue sky above stretched up, out, and around us, without limit. Upon arrival in Gourrama, we met with local re- presentatives to drop off several hundred walnut and almond saplings at surrounding agricultural associa- tions. These were only a fraction of the thousands of fruit trees we had carried with us, tightly packed in the back of our vehicle beside our luggage. One such representative, Tarik Sadki, head of the local association, gave us a tour of the property where we would be staying. Among the many buildings of mud brick and reinforced straw we walked through, one room, in particular, was a source of pride for Tarik. Here, he had curated a museum space over the past 20 years, dedicated to the preservation of the re- gion’s history dating back a millennium, containing dozens of Amazigh, Arab, and French artifacts, from ancient tools and weapons to contemporary pieces of artwork. This first morning in Gourrama, we distri- buted trees to 32 local farming families. Men, old and young alike, arrived wearing customary earth-toned djellabas to stave off the morning’s chill and protect their eyes from the rising sun. Excitedly, they hoisted their sapling bundles Where tradition meets climate change La tradición frente al cambio climático Nicolas Pantelick Nicolas Pantelick is a student from the United States on a gap year before university, who is interning with the High Atlas Foundation in Marrakech, Morocco. 78 OTWO 08 / MARCH 2020 OTWO 08 / MARCH 2020 79