OpenRoad Driver Volume 16 Issue 1 | Page 34

34 » OpenRoad Driver Crossing Berlin’s Bridge of Spies into former East Germany, our motorcoach stops at Sanssouci, Frederick the Great’s elegant palace in Potsdam. Famous for his military prowess, Frederick’s extensive palace gardens, terraced orchards and potato-strewn gravesite reflect his interest and influence in farm methods. Aboard Astrid, our sleek riverboat, daily excursions feature World Heritage sites around Wittenberg. Among these, Wörlitzer Park and Gardens highlight Prince Leopold III’s landscaping innovations and direction in advancing architecture, agriculture and education. When dry weather prevents navigation, motorcoaches carry us along modern highways above the shallow Elbe River. Passing between huge grain fields, lush pastures and countless wind turbines, we enter Germany’s prosperous state of Saxony. Meissen’s renowned Porcelain Manufactory makes a perfect stop. A large portrait dominates the upstairs foyer. “That’s Augustus II, an early Imperial Vicar… and founder of our porcelain industry,” our guide Anna declares. “Employing superb modelers and painters, his factories produced high-quality European porcelain tableware and figurines. This made Saxony very prosperous, even during the communist era.” Downstairs, shelves display red stoneware, the forerunner of porcelain. In three studios, artisans demonstrate the process of moulding clay pieces, slipping items together and applying coloured enamels used since 1723. Onsite galleries exemplify three centuries of stunning porcelain artistry. Shuttled onward to a hillside neighbourhood, we gradually climb toward two Gothic 13th-century structures. “Augustus II’s ancestors lay interred in Meissen Cathedral,” Anna notes. “The adjacent Albrechtsburg Castle housed his first porcelain factory. Porcelain’s inventor, Böttger, lived there as manager.” A cobbled road takes us down to the old market square. Among interesting shops, one sells a huge selection of aromatic A gilded equestrian statue of Augustus II faces the Elbe River and Dresden, his beloved baroque creation. German sausage. Entering Meissen’s Church of Our Lady, we discover intriguing religious artwork, including a porcelain carillon. That evening, we board Beyla. Moored in the historic heart of Dresden, our balcony embraces the spectacular gold-crowned State Chancellery and waterside parkland. Our dining room is decorated to celebrate Oktoberfest and the 25th anniversary of German reunification. Festive oompah- pah polkas accompany the tasty bratwurst, pretzels, local beer and apple strudel. The next morning, Anna leads a walking tour. “World War II’s firebombing devastated Dresden,” she notes. “In time, our citizens urged communist officials and international donors to restore its splendour. So today you’ll be touring Augustus II’s baroque creation, long touted as the Florence of the North.” Skirting the palatial, glass-domed Academy of Arts, our tour continues along the riverside promenade past other ornate buildings. Sculptures of world-renowned composers decorate the perimeter of Semperoper Opera House. Just beyond rises Dresden Cathedral, constructed by Augustus II’s son. Inside, a white porcelain altar portrays Mary embracing her son Jesus. In a separate chamber, a royal crypt holds Augustus II’s heart. Nearby, his colossal Zwinger Palace surrounds a grassy courtyard. On the opposite side, a pathway takes us under an archway topped with a porcelain clock and beside former stables to the Green Vault. “Augustus II opened his museum to the public in 1723,” recounts Anna. “Still comprising one of Europe’s largest art collections, I’ll be highlighting some of his highly prized treasures.” Among them, a wonderfully crafted gold and ivory clock drops balls that spiral downward to measure minutes. In another glass case, a game chest’s inlaid hardwood exterior delightfully depicts Hannibal’s battle for Rome. And an incredible 50-inch ivory sailing ship features wafer-thin sails, tiny realistic sailors and gold cannons. In the hallway, precious stones form flamboyant mosaics of tropical birds. An adjoining chamber exhibits the most spectacular.