OpenRoad Driver Volume 16 Issue 1 | Page 29

Volume 16 Issue 1 » 29 Volo’s UP HERE Festival mural is located in the downtown core of Sudbury, Ontario. We heard that you unveiled a new 15,000-sq.ft. mural in Montréal earlier this year – congratulations! Can you tell us more about it? In May this year, I completed one of the largest murals I’ve ever painted. This wall is located in the heart of Mile End, Montréal - a neighbourhood that is home to many creative people. It was an honour for me to have the opportunity to paint on this incredible wall. I wanted this work to represent the people who live in the area and for this mural to celebrate freedom of creativity. It has been one of the hardest projects for me and I’m so thankful for everyone who was involved. This wall became the biggest mural painted by a woman in Canada, and I hope that it will open many more doors to other female muralists to paint large murals across our country. When did you realize that art was the path you wanted to pursue? Since I was very young, I’ve always been very passionate about drawing and painting. That led me to study art at Emily Carr University in Vancouver. After graduating university, I’ve been working as a full-time artist ever since. I feel so lucky to do what I love most. It’s led me to meet incredibly creative people along the way and travel around the world to produce my work. Why did you choose to focus your art on illustrations and murals? Illustration has always been an amazing way to tell stories. The characters in each piece are aimed to be a combination of folklore art, multiculturalism and a hint of the modern world. When I discovered folklore as a child, it was through the word of mouth - by listening to my grandma’s stories looking over old Russian folktale books. When I started doing public mural work, I found a way to make these stories be as accessible and inclusive as folklore should be. It was a perfect marriage between the concept of my art and the placement of it. I hope to always find ways to continue to tell my stories through my narrative work. Where do you find your inspiration? Multiculturalism has been a very inspirational concept for my work. I come from a diverse Eastern European and Asian background that was complicated by historic transitions during my childhood. My origin, my move to BC, and my subsequent immersion in its own variety of cultures has undeniably become the main focus of my art. My illustrations merge aspects of history, people, animals and traditions through patterns. I use specific patterns to form specific narratives. Learning about patterns and the ways they are used to embellish and define a culture has been very interesting to me. Thus, the mixing of the right kind of pattern is integral to my art, and the intentionality of patterns gives me a lot to play with. You’ve collaborated with many high- profile international brands, such as Louis Vuitton and Starbucks, and local organizations like TELUS and Vancouver Opera. Which project has been the most unforgettable for you, and why? Each project has been unique in its own way, but my favourite projects are always the ones where I get to push my art boundaries and create something new. I loved working with Vancouver Opera - we had a full creative team: art director, photographer, model, makeup artist, illustrator and designer to create the concept. It was an amazing collaboration and I feel we merged photography and illustration in a new way which I am really proud of.