member that some of the older
images, some of the images
that were patronizing, were the
common depictions of Black
Americans,” Blume said. “But
we see that change throughout the exhibition. And that’s
clearly changed throughout
America.”
“The opportunity is definitely there for dialogue, and that’s
the importance of art,” added
Blume. “We hope the community comes to see this presentation, not only to marvel at these
works, but to learn...what these
OnV
i e w
Ma
g a z i n e
.
c om
•
J
Madeline Hewes,
Catfish Creek, 1961;
Oil on canvas, 17 x 23”.
u ly
/S
e p t e m b e r
2015
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