SAINT-ÉTIENNE-DU-MONT
The next level of the façade, logically continuing the lower
indifferent, having examined one of the highlights of one, is at the same time filled with architectural elements
the ancient religious architecture - the church of Saint- inherent in baroque constructions: a rounded pediment,
Étienne-du-Mont. Standing in the "shadow" of the attics with blind windows, round windows, and a general
Pantheon, it is not as well known as Notre Dame, but it principle of "flowing" of shapes. The Gothic roof with a
is the object of close attention to the guests of the city window-outlet, which as though tries to raise still more,
due to the unusual decision of the facade and the completes this composition visually to extend upwards all
amazing interior. architectural design.
A characteristic feature of this temple is the original The powerful buttresses, stretching all along the length of
facade, which is a layering of several artistic styles that the building, give the church greater stability and
were replaced during the period of extensive works on monumentality, and, at the same time, create a special
its erection, from 1492 to 1622. The facade is built in a rhythm of architecture. It is interesting that with the
classical way, it consists of three gables, set one on the exceptional individuality of each of the styles presented
other. But when you look at this church, it is felt that here, such a bizarre combination of them does not introduce
each of the styles has attached a "hand" to the design disharmony into the face of the church, but, on the contrary,
of its facade: here you can see the features of creates the impression of logic and unity.
laconicism and strict symmetry of the Renaissance, the
heavy pretentiousness of the Baroque, simple and The interior of the temple, in the continuation of the game of
sublime Gothic. styles, is remarkable for its unusual originality. Gothic is
clearly expressed in three naves with a transept with their
The central entrance to the temple is decorated with a ribbed arches, pointed windows, richly decorated with
classic pediment, a number of Corinthian pilasters, bas- stained-glass windows of the 16th-17th centuries and in tall
relief medallions with scenes from ancient life and pillars of cylindrical shape supporting the galleries above
niches in which statues of saints were placed. the arcades.
A tourist who walks around Paris will not remain