Obiter Dicta Issue 6 - November 17, 2014 | Page 2

EDITORIAL 2  Obiter Dicta Choking, Slapping, and Sexual Assault It’s not about Jian Ghomeshi; it’s more about us. C h r i s brow n, War Machine, Ray Rice, and now, the most recent addition to such a disgraceful list, Jian Ghomeshi. It seems somewhat horrifying to acknowledge the increasing number of celebrity scandals involving physical abuse that have taken the spotlight within the past several months. What is it about these stories that seem to draw our attention like moths to a flame? Is it the outrage we feel about the offensive acts in question, or is it more accurate to say that we form a certain perverse curiosity about the highprofile individuals involved? The aftermath from the recent revelations surrounding Ghomeshi seems to paint an image of our celebrity-obsessed culture that speaks to our ability taking call to action on such heinous behaviour, despite its long-standing proliferation amongst the less notable ranks of our society. There is something to be said about the fact that while thousands of faceless and unknown women face abuse every day, it is only when the face becomes one that is familiar to us that we feel the fire beneath us to get up off the couch and take notice. What truly shocked us more, the fact that Nicole Brown Simpson was so brutally murdered, or that it was O.J. Simpson who stood accused? So, I ask: what is it about the celebrity status that motivates us to speak up and demand justice where we might otherwise be indifferent? In looking at the Ghomeshi fiasco that currently has hold of our attention, it seems that by focusing our appall and dismay on the fact that Ghomeshi has found himself facing such deeply troubling allegations, we somewhat miss the bigger picture to be seen. We find ourselves conflating our feelings of outrage toward Ghomeshi’s alleged behaviour with a concern toward the issue of sexual a s sau lt a ga i n st women, and although a genuine concern for this abuse exists, it arguably takes a backseat to the larger spectacle that overshadows the conversation on the subject. Our reaction to these stories is more telling about ourselves and our culture than the absurd narratives contained within. Lines get drawn in the sand, and positions are taken that derive from a misplaced sense of loyalty to these individuals who are fundamentally strangers to our lives, and yet it seems as natural a reaction as to pull one’s hand from the flame when burned. ê Celebrity culture has a potent impact that affects our perceptions of and reactions to abuse. I would suggest that our reaction to these stories does not entirely stem from a horror toward the acts of abuse themselves, but rather our anger and disappointment by the way our trust in these celebrities has been broken as a result. There is an unjustified intimacy that is present in the nature of celebrity culture in our society. Fans develop intermediated relationships with celebrities t h rou g h m e d i a sources such as television, the internet, and newspapers which create a feeling of familiarity with these individuals we might expect to have with our closest friends. We feel that by opening ourselves to and inviting these personalities into our lives, we have somehow created a stake in theirs that justif ies either our adoration or condemnation of their personal behaviour. When the actions of these celebrities fail to meet our imagined expectations of who they are, the façade we have built in our own mind begins its inevitable collapse, and it becomes “Our reaction to these stories is more telling about ourselves . . .” a. Osgoode Hall Law School, 0014g York University 4700 Keele Street Toronto, on  m3j 1p3 e. [email protected] w. obiter-dicta.ca t. @obiterdictaoz “A jury consists of twelve persons chosen to decide who has the better lawyer.” robert frost editorial board editor-in-chief | Karolina Wisniewski managing editor | Sam Michaels layout editor | Heather Pringle editorial staff business managers | Alvin Qian, Adam Cepler communications manager | Angie Sheep copy editor | Subban Jama news editor | Mike Capitano opinions editor | Carla Marti arts & culture editor | Marie Park sports editor | Evan Ivkovic website editor | Asad Akhtar unsettling to suddenly be faced with the reality of who they really are. Unlike celebrities, we don’t feel intimately involved in the lives of others associated with abuse, and it becomes easy to detach ourselves in order to continue in our lives without being affected. Another explanation could lie in the fact that the phenomena of celebrity culture forms a bond that unites us all through this common connection. I may not know your Uncle Bob who is in trouble, but we are both familiar with the racist antics of our crazy Uncle Mel. What separates our criticism between the abuse that occurs around us daily and that which is sporadically splashed across the screens of websites and the pages of newspapers is that we don’t have a personal connection to abuse in the abstract. We are largely unfamiliar with the individuals who comprise the victims of abuse that surround us in our daily lives. We use celebrities to put a face on something that otherwise seems distant and unconnected staff writers Kate Henley, Gleb Matushansky, Erin Garbett, Hannah de Jong, Kenneth Cheak Kwan Lam, Kendall Grant, Rob Hamilton, Esther Mendelsohn contributors Douglas Judson, Audra Ranalli, Asian Law Students of Osgoode, Camille Walker, Amy Mintah Submissions for the November 17 issue are due at 5pm on November 8, and should be submitted to: [email protected] » see editorial, page 15 The Obiter Dicta is published biweekly during the school year, and is printed by Weller Publishing Co. Ltd. Obiter Dicta is the official student newspaper of Osgoode Hall Law School. The opinions expressed in the articles contained herein are not necessarily those of the Obiter staff. The Obiter reserves the right to refuse any submission that is judged to be libelous or defamatory, contains personal attacks, or is discriminatory on the basis of sex, race, religion, or sexual orientation. Submissions may be edited for length and/or content.