Obiter Dicta Issue 11 - February 23, 2015 | страница 15

ARTS & CULTURE Monday, February 23, 2015   15 12 Angry Men The Demonstration of a Democratic, Just Society and an Exceptional Film justin philpott › contributor 12 angry men (1957) opens in a New York courtroom at the conclusion of a murder trial. The judge instructs the jury that returning a guilty verdict will lead to the automatic death sentence of the defendant. With the exception of a few minutes at the beginning and end, the entire film takes place within a sixteen by twenty-four foot jury room. No names are given to any of the jurors; they are referred to only by juror number. This is symbolic of how the twelve jurors are strangers and are likely to remain strangers after a verdict is reached. These twelve strangers will decide upon the life and death of another human being, an eighteen-year-old Hispanic boy accused of murdering his father. For all intents and purposes, they are the law. The film’s tagline says it best: “Life is in their hands, death is on their minds.” From the start, it does not look good for the young defendant. One of the jurors even remarks how he wants to get out early because he has baseball tickets. The jurors take a customary opening vote and it is revealed that only juror #8 (Henry Fonda) believes the boy is not guilty. In voting not guilty, juror #8 says, “Well, there were eleven votes for guilty. It’s not easy to raise my hand and send a boy off to die without talking about it first.” The film invites you to be a fly on the wall as this group of twelve men, with twelve different backgrounds and personalities, deliberate what