Oasis Magazine - Cairns & Tropical North Queensland Issue 14 - Oct|Nov 2016 | Page 31

Emma Louise . . PASSION REKINDLED WORDS: SAM DAVIS / IMAGES: SUPPLIED E mma Louise is only as happy as her songs let her be. “If I haven’t written a good one in a few weeks, it can be real doom and gloom,” the Cairns songstress says earnestly down a crackly phone line. “I guess I only feel as good as the next song that I write. Cairns musician, Terry Doyle once told me that - and it’s so true.” It’s a startling confession for someone who says she stopped playing music for a year and contemplated a career in fashion instead. Combining a rare flair for songwriting with inspired musical arrangements, Emma Louise’s sophomore offering, Supercry, is a synth-heavy affair accompanied by often hauntingly sombre melodies. The album’s lead single, ‘Talk, Baby Talk’, opens with hypnotic vocal percussion before a gentle crescendo leads into its refrain. ‘But all I want to do baby is just talk all night…’ The pre-chorus samples noises Emma Louise captured while touring the world. “I had recorded trains in Japan and put that in there,” she says. “That was such an exciting song - when it came together with the synths and samples. With Supercry, I was sort of experimenting.” The experimentation hasn’t stopped either. Emma Louise started composing a new song after hearing the sound her phone makes when a text message is sending. “It sort of mimics a heartbeat,” she says. But the song is still only as good as its foundations. “I like playing with sounds but I think my heart is truly in songwriting,” she says. “I always try to bring the emotion and feel of the song out. Even the artwork, everything has to be a reflection of that. “I still love raw music. I’ll definitely do that again. And I want to do a super-stripped back album. Music in its rawest form is something I love.” Emma Louise returned home in September to perform to an adoring crowd at the Tanks Arts Centre, where songs from her new album were gratefully received. “It’s my favourite venue in Australia,” she says. “It’s so beautiful. And I know I’m a bit biased. I’m so lucky growing up as a performer to have played there. Oct|Nov 2016 | 31