Gaspar Marquez experiments with the Figure form. His work is a celebration of film photography, movement, Cubism and scale.
After developing his first photos in the darkroom, He fell in love with the photographic contact sheet as a whole image and decided to honor this process by adding his own personal twist to the classic recipe. These images belong to a series called The Bodyscapes. His unique artistic style is an expression of creating images in an almost mathematical way, dissecting the subject aesthetics piece by piece, somehow creating an illusion of movement as a consequence of the 35 or more shots taken in the making of the "contact sheet". Therefore, these images all together are seen as a whole and allow the viewer to witness an almost life-size 2D sculpture in a Neo-Cubism fashion.
The major motivation of his work is to explore its relation-limits between all these elements: film photography, movement, scale and the figure. He attempts to blur these lines, mixing them up and as a result creating an ambiguous vibration or optical illusion between a 2D image and the audience.