BEETHOVEN’ S NINTH: NEW YEAR’ S CELEBRATION
Pittsburgh Symphony( Carmina Burana) and Baltimore Sympony( Beethoven’ s 9th Symphony). Ms. Harvey also tours the United States with Harry Bicket and The English Concert, for performances of Handel’ s Alessandro.
The 2025-26 season featured debuts at the Bayerische Staatsoper and Washington National Opera as Susanna in Le nozze di Figaro, Pamina in Santa Fe Opera’ s new Christopher Luscombe production of The Magic Flute, conducted by Harry Bicket, and a reprisal of Pamina with The Metropolitan Opera, in their holiday presentation. She performed Beethoven’ s 9th Symphony with The Cleveland Orchestra( Franz Welser-Möst); Mahler’ s 4th Symphony in her Philadelphia Orchestra debut( Dalia Stasevska); Bach’ s Easter Oratorio and Magnificat with the San Francisco Symphony( Bernard Labadie); and Bach Cantatas with the Chamber Music Society of Lincoln Center.
Kelly O’ Connor
Mezzo-soprano Kelley O’ Connor performs and inhabits a broad selection of repertoire, from Beethoven, Mahler and Brahms to Dessner, Corigliano and Adams. She performs with leading orchestras and conductors around the world, with preeminent artists in recitals and chamber music, and with highly acclaimed opera companies in the U. S. and abroad.
In the 2026 – 27 season, O’ Connor gives the world premiere of a new song cycle by Gonzalo Grau with the New York Philharmonic under the baton of Gustavo Dudamel. She sings Beethoven 9 with the Aspen Festival Orchestra and Baltimore and Pacific Symphonies. Other highlights include Bach’ s St. Matthew Passion with the Kalamazoo Symphony; Handel’ s Messiah with the New Jersey Symphony; Bernstein’ s Songfest with the Kansas City Symphony; Mahler’ s Songs of a Wayfarer with the Fort Worth Symphony; and John Adams’ El Niño with Gulbenkian Orchestra. Chamber and
Ben Dashwood recital highlights include performances at Chamber Music Napa, Chamber Music in the Chilterns, and Garth Newel.
For her debut with the Atlanta Symphony in Ainadamar, Kelley O’ Connor joined Robert Spano for a GRAMMY Award-winning Deutsche Grammophon recording. O’ Connor’ s newest recording, a collaboration with Spano, is“ Songs of Orpheus,” a series of song cycles by Edvard Grieg, Claude Debussy, George Crumb, and Spano himself.
Issachah Savage
Dramatic tenor Issachah Savage has appeared with many of the world’ s leading orchestras, including the New York Philharmonic, The Cleveland Orchestra, Boston Symphony Orchestra, San Francisco Symphony, Chicago Symphony Orchestra, Los Angeles Philharmonic, The Philadelphia Orchestra, Toronto Symphony Orchestra, St. Louis Symphony, Danish National Symphony Orchestra, Rotterdam Philharmonic, Orquestra Sinfônica do Estado de São Paulo, and the Melbourne Symphony. He has collaborated with today’ s foremost conductors, such as Yannick Nézet-Séguin, Gustavo Dudamel, Riccardo Muti, Fabio Luisi, James Conlon, Gianandrea Noseda, Marin Alsop, Jaap van Zweden, Robert Spano, Lorenzo Viotti, and Susanna Mälkki.
Operatic highlights include performances with The Metropolitan Opera, Lyric Opera of Chicago, Houston Grand Opera, LA Opera, Seattle Opera, Canadian Opera Company, Opéra National de Bordeaux, Dutch National Opera, Théâtre du Capitole de Toulouse, and the Salzburg Festival. He has sung much of the great dramatic tenor repertoire, including the title roles in Tannhäuser, Otello, Peter Grimes, and Rienzi; Siegmund in Die Walküre; Radamès in Aida; Bacchus in Ariadne auf Naxos; Der Kaiser in Die Frau ohne Schatten; Manrico in Il trovatore; and Narraboth in Salome.
He holds a bachelor’ s degree in Vocal
Jiyang Chen
Performance from Morgan State University and a master’ s degree in Opera Voice Performance from The Catholic University of America.
Dashon Burton
Hailed as an artist“ alight with the spirit of the music”( Boston Globe), three-time GRAMMY Award-winning bass-baritone Dashon Burton has built a vibrant career with regular appearances across the United States and Europe.
During the 2026-27 season, bass-baritone Dashon Burton returns to many of the country’ s leading orchestras and presenters. Orchestral highlights include Beethoven’ s Ninth Symphony with the Colorado Symphony and Peter Oundjian, New World Symphony and Stéphane Denève, Baltimore Symphony and Oundjian, and the Pacific Symphony and Alexander Shelley; Mozart’ s Requiem with the Seattle Symphony and Xian Zhang; and Handel’ s Messiah with the Houston Symphony led by Ken David Masur. He also performs Vaughan Williams’ Dona nobis pace alongside Shawn E. Okpebholo’ s What the Earth Remembers in Baltimore. In the spring, Burton appears in Bach’ s St. Matthew Passion with the National Lutheran Choir and premieres a new work by Christopher Cerrone with the Calder Quartet with dates in Arizona, Napa Valley, San Francisco, Providence, and Amherst. He concludes the season with a return to The Cleveland Orchestra for Richard Strauss’ Die Frau ohne Schatten under Franz Welser-Möst.
Burton holds a Bachelor of Music degree from Oberlin College and Conservatory and a Master of Music degree from Yale University’ s Institute of Sacred Music. He is currently Assistant Professor of Voice at Vanderbilt University’ s Blair School of Music.
Baltimore Choral Arts Society and Anthony Blake Clark
A complete biography for the Baltimore Choral Arts Society can be found on pg. 18.
Hunter-Hart
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