My artworks are somehow an answer to the question I ask myself, and is a reflection of my feelings, my intellectual research. I think my sensibility shines through in my work despite me because I rarely seeks to create something sad or happy but the end result often is up to the viewer felt. So ultimately a work is always immersive for the audience, but it's all about interpretation or perception.
Now let us focus on your artistic work. You mention few crucial themes that are being reflected by your work, among them, the use of visual codes and their consequences, the role of the artist in relation to his work, the double meaning and philosophical dimension. Could you share with the readers few important thoughts that could give them a better insight in your intellectual process of creation?
Yes, a simple example with the floating sphere that is present in some paintings. Beyond, aesthetic duality present in these paintings, there is a second reading at the symbolic level of the sphere in relation to the search for perfection and absolute, infinite and divine. When analyzing the reason for the presence of the spheres understanding is the third reading with the philosophical dimension that unfolds. Nietzsche's superman myth which is very present in my work with self-transcendence, the desire to go beyond the human condition.
Here creation issue is still present, and lays the foundation for a reflection on the creative act and the myth of a creative presence and higher follows several arguments; so I created I am a god? Art is there a way to reach eternity? so I defies gravity am I still human?
Before leaving this conversation we would like to pose a question about the nature of the relationship of your art with your audience. Do you consider the issue of audience reception as being a crucial component of your decision-making process, in terms of what type of language is used in a particular context?
This is an important question of art especially when it enter in the public domain, However, there is a filter between my work, my will and vision of public, and I love playing with the limits of the conceptual perception. although for the paintings, the subjects are sometimes different and settled on several series, they also reflect a satire of contemporary art in general or the "beautiful" is in search.
Since we relvovle around the issue of communication this time, we have one more question: in yur opinion, can art change the future for inter-human communication?
How can art help us make sense of these complex histories?
I appreciate your question, yes, and I hope art can change the future for inter-human communication, because I think the man is a child on a cosmic scale, and that's a lot of questioning to do. Indeed, understanding the world that surrounds us and especially the reason we should, in my view, be a top priority for humanity and art is an excellent medium for thoughts and questions.
Thanks a lot for your time and for sharing your thoughts, Aaron. Finally, would you like to tell us readers something about your future projects? How do you see your work evolving?
Well it's a bit like when you go to a new world and you do not know what you're going to discover or scientific experience with generally surprises, and so I do not know exactly what I find at the end of this road but it is sure that I will learn about the world and about myself..
But I have several collaboration with Gallery and exhibitions that are coming and several installation projects, sculpture and many surprises that are coming soon including a novel. Summer will be charged !
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process of creation? Before leaving this conversation we would like to pose a question about the nature of the relationship of your art with your audience. Do you consider the issue of audience reception as being a crucial component of your decision-making process, in terms of what type of language is used in a particular context?
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