NM CliQ Magazine December 2015 | Page 84

DO YOUR “PHOTOGRAPHS” STILL LOOK LIKE “SNAPSHOTS”? Every day, talented photographers post hundreds, even thousands of incredible images on social network sights. When you see them, are you often in awe of these shots? Do you find yourself wondering “How do other photographers get their pictures to look so good?” Or, “ Why do my photos look like snapshots while everyone else’s look like works of art? What camera or processing trickery do they know that I don’t?” Think about using the Rule of Thirds as a starting point (see “Rules of Composition” in our October issue), in order to help position the focal point of the photo in a more interesting position. There’ll be times when it does an acceptable job. But your camera doesn’t have a clue what you’re photographing or how you want to photograph it. It’s pre-programmed to deliver a specific set-up for its scene modes and defaults to the safest settings in fully automatic mode. We’re not suggesting you should take all your photographs during the ‘golden hours’ at the start and end of the day, although that is the best light available. No, shooting at dawn and dusk might be the classic advice for landscape photography, but it doesn’t suit every subject, or every shooting timetable. For more interesting and creative results, you need to take control of the picture-taking process. Your camera’s Program, Aperture Priority and Shutter Priority modes allow you to do this, while still retaining a degree of automation. Some subjects work better with more directional, hardedged light, while others are better photographed under softer, more diffused light. The harsh, burning light you get in the middle of clear, sunny day is generally the least flattering, particularly if you’re creating portraits or close-up photos, but sometimes, that’s all you have to work with. Check the edge of the frame for distracting elements and make sure you’re not cropping off the main subject The good news is that you’re not alone: no photographer at an awkward point, such as the waist or knees in a started creating magic the minute they picked up a portrait. camera. It can take months or years of work until YOU are completely happy with the pictures you take. But Use the Live View display’s grid overlay to make sure there are some things you can do right away to help the horizon and other straight edges are level. Try prevent your photos from looking like snapshots. alternative crops when you’re processing your photos on a computer too, as this will help you develop your eye for a picture. 1. Stop letting the camera decide If you treat your DSLR like it’s a point-and-shoot Before you take a photo, ask yourself what you’re trying camera then you’ll end up with point-and-shoot to show. How does the scene or subject of the photo snapshots. make you feel? Which parts are you drawn to? Is this the best angle to photograph it from? Left in one of its automatic shooting modes, the camera will choose where to focus, 3. You’re not paying enough attention to the light the aperture, shutter speed The quality and quantity of light will make or and ISO mix required to make break a photo. If you’re not shooting in light that an exposure, how saturated and sharp the image is… complements the subject, or the look you’re after, pretty much every shooting parameter. then you’ll end up with a so-so snapshot. 2. You’re not exploring more interesting compositions Snapshots are taken spontaneously with little thought to the composition. But deciding how to arrange things within the frame and what things to leave out of it are crucial steps to giving your photos more weight. If the light’s not working, then try enhancing it: a diffuser or reflector can help you manipulate the Some photographers are lucky and find that good existing lighting, composition is instinctive, but most of us have to learn while fill-flash will allow you to reveal detail in shadows the basics and work at it. that would otherwise be lost. 84 NM CliQ Magazine | December 2015