Next Door Circus Magazine Next Door Circus Magazine No.1 | Page 13

HOW TO CREATE
CIRCUS WHEN
THERE IS NO
CIRCUS
Testimony of Lithuanian
artist Konstantin Kosovec

Photo by Karel Koubek

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Konstantin is 28 years old and he has
been involved in circus since 2010.
He mainly works w fire juggling,
ith
dance, contact juggling and aerials
(T
issue, rope).
We asked him to share his experience of trying to become a circus artist
when there are no schools or structures to help him doing it.
I started doing fire shows and later dance, then acrobatics and aerials before
realising what could be done w it. Seith
eing contemporary circus performances
at New Circus weekends made a big
turnaround.
Circus is challenging, fun and a very
w
ide area to explore. Why contemporary? I love mixing disciplines, working
w choreographers and directors to
ith
create unusual performances. I also like
the idea of not using animals but only
human skills.
Now I train 4 to 6 hours per day, depending on the season, amount of rehearsals, gigs and other things.
I start w some strength exercises in
ith
the morning, rehearsals and personal
practice during the day, and as there is
no circus school I am attending lessons
at different studios like tissue, acrobatics, dance, pole dance or capoeira in the
evenings.
It is still hard to decide if being a circus
artist can be a full time profession in
Baltics. This question is under research
now. I do hope it is and I am trying to
make it happen. Contemporary circus is
becoming more popular. There might be
10 – 40 other people in Lithuania doing
the same as me; it is hard to be precise, but at least the number is grow
ing. It
w take time, but the progression is poill
sitive. It could be faster if we would not
have problems w space to practice.
ith

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