Next Door Circus Magazine Next Door Circus Magazine No.1 | Page 15

Aims and focus points During the next few years the Baltic Nordic circus network will hopefully bring together circus professionals working in different roles to develop the circus art field in the Baltic and Nordic countries. We are optimistic about creating a touring system which will help the artists and performances tour in the Baltic and Nordic countries. The touring system will also hopefully create strong collaborative relationships between the venues in the region and makes it easier and cheaper to invite international circus groups outside the Baltic Sea region. tried to take into account on the one hand the specialties that every country has and, on the other hand, all professional groups working with circus. The overall improvement of circus art and its supportive structures being the objective of network activities, it is important to not only focus on artists but also other aspects, such as critics. One important goal is to make future collaboration in the region easier and make it a natural part of programming the festivals and forming the working groups of productions. The main aim for more active regional collaboration is for professionals of each country to know each other. Knowing other people’s working habits makes collaboration more predictable and stable, which creates a perfect opportunity for everyone to learn from the others. However, learning through sharing is just one of the objectives. It is beneficial to create an open atmosphere where everyone could feel free to share good practices as well as the mistakes or failed attempts; an atmosphere where everyone could learn and teach. We think this could be the key in the overall development of the circus art field in Baltic and Nordic countries. On one hand, Nordic circus organisations have experience of similar issues with which the Baltic circus professionals are wrestling now; twenty years ago, Nordic contemporary circus was as young an art discipline as it is now in the Baltics. On the other hand, new organisations and now collaborative partners always bring fresh thinking along and new partnerships can lead to the Baltic-Nordic circus community to think together in new ways and develop the field towards a new direction. It is indeed the best thing when structuring a new network and seeding new collaborations. We will never know where it is going to lead us and what it will create! An agile circus network Building Baltic-Nordic collaborations and networks appears to be in the air right now. Because of this, it was necessary at the beginning to consider why to build a new network. Is there not already enough structures that support and facilitate the collaboration in the field? It was quickly evident that circus organisations would need a network focused particularly on circus art. Before the fences between different art disciplines can vvv be crossed and the limits blurred, contemporary circus must have its own developers, structures, networks and perhaps an identity, too. It is important to work near other arts and their networks, to have the information moving and to share good practices between the networks. When talking about contemporary performing arts, it is never clear which actor or organization goes in to which box. The network can have its special focus and objectives that are limited to circus art, even if the organisations are multidiscipline or can act in different roles over multiple networks. The Baltic-Nordic circus network will be open and flexible. No one will be left on the outside. There can be m ain partners and associative partners in the network. The main partners will form a coordinating group that will formulate the funding applications and commit to the key functions of the network e.g. residence activities, touring system, workshops and the network meeting. It is also important to have associated partners so the whole circus art field of the region could have the maximum benefit of the network. Additionally, the collected information and the shared good practices will be available for every actor in the field. The vision is that all the functions of the Baltic-Nordic Circus networks would be need-based. This network should be more like a tool for operating in the circus art field in different roles than an empty structure. The aim is to form an up-to-date network, which would be agile and reactive and also democratic. These ideals can be difficult to combine, but to get the network work, it is most important to build the network from grass roots level and from real needs, otherwise it could not have a long and fruitful life. Now we are at the point where all the needs and professional actors in the field must be mapped. The mapping will be published after three years, but the collected information will be available on the network’s website before that. The website will be launched this August, after the present network partners will meet in Helsinki and continue the planning and developing. The network is coordinated by CircusInfo Finland. CircusInfo is an information centre of Finnish Circus, funded by the Ministry of Education and Culture. CircusInfo has international collaborative partnerships, and has been one of the main actors in New Nordic Circus Network (NNCN). by Jonna Leppänen Project Coordinator, CircusInfo Finland Nordic New Circus Network www.nordic-circus.org Circusinfo Finland www.sirkusinfo.fi 15