Next Door Circus Magazine Next Door Circus Magazine #2 | Page 44

eling that often adults and elderly people are not invited to take a part. This was not at all my experience at Auch. People of all ages worked together. by the festival. With the goal of add social value and encouraging artistic education, CIRCa invites around 600 pupils and their teachers to watch the shows, participate in workshops, and meet with artists. Different activities where proposed as well to spectators with children. In total 435 children starting from the age of 3 participated in circus workshops. These actions are a very strong part of a strategic effort often seen in France to prepare future audience by encouraging young people discover the arts. During my stay, I was hosted by a very nice lady in her early 60s named Martine Gallet. Martine was volunteering for the festival for the second year in the row, hosting producers and journalists at her house, and working in the festival boutiquel. Martine: “I was a stranger to this artistic side of things before, so it has been a rewarding and undertaking experience for me. It was a real exchange of emotions in a very simple and convivial ambiance. Volunteering has allowed me to experience the circus world in its various facets.” These actions are a very strong part of a strategic effort often seen in France to prepare future audience by encouraging young people to discover the arts. CIRCa started as a meeting point for circus schools and universities, and still fills this role, even if the professional program has taken over the festival. This year CIRCa even added a day for specialized circus high schools, during which students from 5 schools could not only enjoy the shows, but participate in meetings with artists and follow the workshops. This openess to young people interested in circus has a practical side as well. It offers them a rare occasion to see the presentations of different circus universities, helpful to making their choices for future studies. I had the chance to meet her friends, most of them recently retired, a few taking holidays in order to be able to volunteer. Marine shared her thoughts about the volunteering experience with me: “I was a stranger to this artistic side before, so it has been a rewarding and undertaking experience for me. I met a lot of different kinds of people from different places with different professions and we discovered a magical world full of colour. There was a lot of sharing, a real exchange of emotions in a very simple and convivial ambiance. Volunteering has allowed me to experience the circus world and its various facets.” Festival : a place to mingle There is something special about the whole ambiance in CIRCa. The festival’s central area has several bars, restaurants and open spaces where you can hang around and talk to people. It feels like the festival’s spirit is everywhere, and that it is a celebration for everyone. It is not only about seeing shows, or participating in workshops or even doing anything that you can find in the festival’s official program. It is about having a place and time for a social encounter, where everyone is free to do what he feels like. /// Circus in society It’s not possible to talk about the social benefits of the festival that without mentioning the cultural activities produced 44 45 CIRCa, photo by Rainer Itner (c)