New Zealand Commercial Design Trends Series NZ Commercial Design Trends Vol. 35/01C | страница 64

gives the simple building its strong visual drama,” says Fort. “Plus, the slab warps slightly, seemingly melting in the Miami heat, to form a gentle arc that adds complexity to the silhouette of the graceful building. As well as bringing shading to the glazed east and west fronts, the bowed roof also sets up the design’s primary formal swerve. “The curve of the roof interacts with the curve at the entrance, showing off the plasticity of con- crete,” says Fort. “The two arcs transform what is a simple box into a dynamic architectural expres- sion, incorporating core modernist principles into search | save | share at a progressive design that will serve as an influence for the architecture students who attend here.” The main entrance to the building leads into an informal lobby that continues as a nave-like space running through the studio. The open-plan studio is based on a 2.3m 2 workstation module that can accommodate a variety of configurations for the 90 to 130 desks. The east and west walls of the central volume are clad in felt for students to pin up their work, and there are movable boards for informal critiques and exhibitions. The studios on the south side of the circulation These pages:Walking past the studio building’s informal lobby, the interior opens to a nave-like space with versatile, reconfigurable desking. Cubes of different materials signify different areas of use within the open-plan studio. Curtains delineate the jury area, while glass and panelled cubes signal seminar and meeting areas.